A Quote by Sebastian Koch
I have no 'dream role.' It just comes to me; it's very intuitive, and I say, 'OK, I have to do this now.' It's not logical; just, 'I have to jump into this very strange character,' or something like that. I can't even explain it.
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When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
It's just incredible. When you're French, coming from a non-English language country, you don't even dream about Oscar recognition or nominations. It's just beyond the dream. It's something very, very special and unique. It's the highest recognition any filmmaker could dream of
It's just incredible. When you're French, coming from a non-English language country, you don't even dream about Oscar recognition or nominations. It's just beyond the dream. It's something very, very special and unique. It's the highest recognition any filmmaker could dream of.
You know what it is, when I'm playing a role sometimes, I just tend to stay in that role. It's easier to maintain. We just shot a pilot in a very thick American accent. I feel like the character lives in me. Of course, my family tease me about it.
Really just about the only remembrance I have from when I was very young is the way Daddy used to place me on the refrigerator and then say, 'Jump!' and I'd jump into his arms. It was so much fun for me that even when I got too large for it to happen, I still wanted to do it anyway!
Only in very rare circumstances will you see something cut out of my first drafts. Maybe it's because of the way I write. I'm very focused on the logical progression of the story, and every character has a role to play.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
I'm interested in a lot. Like right now, I'm just really excited for 'Catching Fire' and 'Mockingjay' Part 1 and 2. But I love playing characters like Prim - I mean, Prim is like my dream character - but after 'The Hunger Games', it would be fun to look and see what else I could do well. But right now, Prim is like my dream role.
I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!'
I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
I feel like I'm held more accountable to stay healthy now because now I'm a role model to young girls to not have eating issues and to not say, 'Hey, it's OK to starve yourself' or 'It's OK to throw up after your meals' - that's not OK.
What we'd consider a positive role model, I think it's impossible to actually be a role model. You'll have your flaws or defects of character, regardless. You just speak like a positive role model, and that's just something that you're being conscious of, and you make the decision, "I want to say positive things."
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
I'm not the guy who will sit in a room with somebody who's using a bunch of big words and just act like I know what they're talking about, or sit on set with somebody and they'll be trying to explain something and not using layman's terms and I'll just say, "Hey, excuse me, what do you mean by that? Explain to me so I just understand."
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
'Heroine' is about a declining and imbalanced superstar - a very brave and bold role. I wanted to test whether I could carry a role like this. I have given 200 per cent to this role. She's a very complex character, very aggressive, manipulative and bold, yet she's very fragile.
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