A Quote by Sevyn Streeter

I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
With 'Hostel II' I thought I had a very, very strong female audience so I'm going to make a movie that's going to appeal to them. The guys will love it, they'll have their moments. But there'll be a lot more male nudity in this one. I have a lot of sausage in this one!
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
I took the longest showers of my life after every time I visited Gramacho. It affects the personality of the catadores. They always dress really well, they're very sharp, and when they go out they always wear a lot of perfume because they're very conscious of the possibility of having the smell.
You've got to be very conscious of what people see. If I saw somebody every day, I would get sick of them. Most guys think, 'If I can get on TV every day and give that quote, I'm going to be golden.' It's not about that. It's about showing people you can be yourself.
I've always been athletic. Growing up in Puerto Rico, and being in the countryside, I was always running around. I also played volleyball, basketball, and I ran track. I was always very conscious of my body.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
Boxer guys are very tough and they play a very tough game, but its a game. Karate guys, tae kwon doe guys, kickboxers or judo guys, they are very tough guys and a lot of heart and a lot of training, but its very specifically as a sport. It's not a fight. A fight is everything goes.
I've always been a person that's totally comfortable with my sexuality and showing my affections with my guy friends. At the end of the day, your guy friends are very important; they're the guys that are always going to be there. It's just you being a friend to me and I'm being a friend to you.
I suppose whenever you go through periods of transition, or in a way, it's a very definite closing of a certain chapter of your life. I suppose those times are always going to be both very upsetting and also very exciting by the very nature because things are changing and you don't know what's going to happen.
I suppose whenever you go through periods of transition, or in a way, it's a very definite closing of a certain chapter of your life - I suppose those times are always going to be both very upsetting and also very exciting by the very nature because things are changing and you don't know what's going to happen.
As first time director, though, you're like a new officer coming up to be in charge of very serious veterans, and you're always going to have guys looking at each other for the first day until they realize you're not screwing around.
When guys are in NXT - not me, but the guys who are signed to developmental deals that are there - they're setting up the ring. They're tearing it down. They're working every day at the PC. And it's arduous training, man. Those guys go through a lot.
I always have a guitar with me. Actually, I've got several, I play every day. And I enjoy it. I'm never very far away from them. I swear I only ever get a couple days when I'm away from a guitar, and I never like it! There's always one close by, and I play every day. Or I'll be working on something in the studio and play around a bit. It's an extension of me, really.
I've been in a very male-dominated business for decades. I found, particularly early on, that there's plenty of room for passion, but there's very little room for emotion.
I'm always going to be a leader and always try and set up a positive example day in and day out, so I can - so the young guys hopefully pick up on it.
I will now be very mindful about it, and if I feel like I've been on my phone too much one day, I'm going to be more conscious of that and not be so obsessed.
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