A Quote by Cedric Bixler-Zavala

I think a lot of people could do with buying a Flying Burrito Brothers record - it does wonders for you. — © Cedric Bixler-Zavala
I think a lot of people could do with buying a Flying Burrito Brothers record - it does wonders for you.
Al Gore wanted to tell people what they could listen to and what they couldn't, what they could record. It was basically coming down to the idea that he wouldn't let anybody record any music that he didn't think you should be doing. There was going to be an organization that would tell you what you could and couldn't record.
Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.
Ever had a flying burrito hit you? Well, it's a deadly projectile, right up there with cannonballs and grenades.
For lunch, I usually have a burrito or burrito-style bowl with rice, beans, a little cheese, avocado, and tomato.
The reality is people are going to steal the record instead of buying it. It's kind of a cancer in the industry where people will just use a streaming service and then won't buy the record.
If you ask me what I think people should be getting next season, I’ll tell you what I’d like them to buy—nothing. I’d like people to stop buying and buying and buying.
There's no publicist, no advertisements, and no one's pushing us. If people are buying our records, it's because big brothers and sisters or friends at school told them they should check us out or gave them a record. It feels like a more heartfelt way for things to move around.
There are a lot of people, especially the younger generation who don't feel that they need to support the artists by buying their music because they grew up learning that record companies are evil.
You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.
My girlfriend buys stuff from Trader Joe's, and it's just subpar. When you buy a burrito, it crumbles the way a proper burrito shouldn't. Everything's just crap there.
People think, "Wow, people in America have so much money, they're sending hundreds of pencils to this guy." I don't think those people realize that most people who are buying these pencils are buying them as art objects or conversation pieces.
I think it's safe to say that 50% of the record buying metal community is people between the ages of 16 and 25 - people still in their teenage-angsty, early young-adult years.
I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics - all that kind of tactile experience that you could get from an old vinyl record.
Dilla could flip a boring record and make you feel like you were flying.
We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
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