In an ideal world, we would have been orphans. We felt like orphans and we felt deserving of the pity that orphans get, but embarrassingly enough, we had parents.
When I first came in the game, I had a bunch of homies that rapped that was hanging around me just because I was getting the rap attention, and they felt they could feed off of that.
Without the piano, I would never have attempted to rap, because I'm a poor rapper. I'm enthusiastic, but it takes me a long time to write eight bars of rap. I would battle any pianist, and yet I would forfeit happily before even getting into a rap battle with anyone.
I could rap really good on accident. I talk tight and it just sounded... I don't know. It's just such a big genre for me. At the end of the day, rap is the language of the world.
You gotta do a lot more than rap. Rap is not just rap. If you don't have an image, you're not capturing nobody's attention.
Growing up people would tell me: 'Yo, you only can do one thing. If you're going to rap, just rap. If you're going to sing, just sing.' It boxed me in. But I just figured out a way to show everything. It's like if you have a job interview, you want to present as many skills as you have.
The rap game without me would be like woofers without bass.
I had written rap songs in the early '90s and even did a couple homemade rap songs with my brother in like '88 or '89, but it was just like... I don't even know how to say it. Just plain rap. I was just rapping about whatever, there was no real style or direction, it was just semi-braggadocious rhymes that probably imitated 100 other rappers.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
90% of the people that rap are just rappers, they rap what they see, a lot of them exploit other peoples lives, I've been through it all, I don't glorify it cos when I was in jail, I wasn't like YES I'm in jail now I can say that in my rap.
Having had been not so well traveled as a kid, as most teenagers aren't, I always thought, "Okay I'm going to focus my energy on rap and the rap game, because that's how I'm going to be able to pay rent and pay off my school loans." But seeing the reaction with this whole gay rap situation has made me not want to play into it at all anymore and just make whatever.
Now that our mother has died, we're two orphans, Angie and I, so she has a deep understanding of the orphans she adopts.
New Orleans is just so full of culture in the music content - blues, folk. I was introduced to a lot of things. My mother didn't keep me away from other music. She only kept me away from rap. The closest I got to rap was D'Angelo.
I hate rap music, which to me sounds like a bunch of angry men shouting, possibly because the person who was supposed to provide them with a melody never showed up.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
When you're in your twenties in a new city where no one's from here, we're all sort of orphans. The only people that you can count on our bunch of people that you work with and that you know. You're only as good as the reliability of that latticework.