A Quote by Celine Sciamma

I was a lot younger - when I wrote Water Lilies. I was like 26. It felt so natural to write about adolescence. — © Celine Sciamma
I was a lot younger - when I wrote Water Lilies. I was like 26. It felt so natural to write about adolescence.
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
I wrote a lot of lyrics in prison, but they'd all be like, 'Crawls upon the shoulders, hatred in the eyes.' I wrote about 50 songs in there that were all about jail. I've come out and thought, 'I've only served eight weeks; I can't really write a concept album about jail.'
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
I like not lady-slippers, Nor yet the sweet-pea blossoms, Nor yet the flaky roses, Red or white as snow; I like the chaliced lilies, The heavy Eastern lilies, The gorgeous tiger-lilies, That in our garden grow.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I'm not embarrassed about the novels I wrote when I was younger, but I couldn't write them today because of my religion.
To be honest, I’m more concerned with living my life than writing about my life. I feel like that’s really the main thing I know now that I didn’t know when I was younger — and that is that you have to have a life to write about one. If you’re more worried about having experiences so you can write about them, I think you’re kinda being ridiculous, and I think a lot of young people look at it like that.
I wrote the screenplay for 'Water Lilies' while I was studying screenwriting at La Femis film school in Paris, and the director Xavier Beauvois, who was on the graduation committee, told me I had to make the film myself.
I watched 'Freaks and Geeks,' and I was like, 'Oh, if you write about your own personal experiences, and if you're specific about it both in what happened and how you felt about it, it can make for scenes that are really compelling.' For the rest of college, I was basically ripping off 'Freaks and Geeks' with plays I wrote and stuff like that.
I don't think I ever wrote a song. I can write a lot of jokes, but when I try to write lyrics they're the most direct, non-figurative words, like, 'I like you, I like you,'... and that's it, for the whole song. People would go, 'Ooh, this guy's Dylan or something.' It gives me a lot more respect for songwriters, actually.
You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
I wrote a lot when I was younger, though never anything like plays or scripts.
I write a lot. I used to write a lot of poetry when I was younger, write for my school newspapers. Also reading is very important because you need to be on your word game if you want to be a lyricist.
Looking younger and being younger is the adolescence idea.
I wanted the ending of 'Water Lilies' to be open, so that everyone can have their point of view about what will happen to the girls.
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