A Quote by Celia Johnson

I won't write my autobiography because I never had an affair with Frank Sinatra, and if I had had, I wouldn't tell anyone. — © Celia Johnson
I won't write my autobiography because I never had an affair with Frank Sinatra, and if I had had, I wouldn't tell anyone.
One thing is certain: for many of those who came back from WWII, the music of Frank Sinatra was no consolation for their losses. Some had lost friends. Some had lost wives and lovers. All had lost portions of their youth. More important to the Sinatra career the girls started marrying the men who came home. Bobby socks vanished from many closets. The girls who wore them had no need anymore for imaginary lovers; they had husbands. Nothing is more embarrassing to grownups than the passions of adolescence, and for many, Frank Sinatra was the passion.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
Frank Sinatra discovered me at a nightclub called P.J.'s in Hollywood. It was 1962. He used to come in there a lot with all his big star friends. I was so nervous to see him. I've only had one idol in my life, and that was Frank Sinatra.
Gowdy had a love affair with the microphone and the fans had a love affair with him. American sports fans truly lost an icon, a legend who never felt he was bigger than anyone else. He had that humility that made him special, and he made everyone feel like they were so important.
I had said before that I'd never write an autobiography because I've been around, and there's a lot that I've seen and heard that stays with me. That's just mine. I didn't want to do a kiss-and-tell, as some of my peers have.
I always admired Frank Sinatra. He had ups and downs, but he didn't give up his style. He had what might have been a tough life or character.
In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.
I had the same manager as Frank Sinatra, so I got to meet him and he truly impressed me. He had this magical aura - the whole atmosphere in the room changed when he walked in.
People talk about Frank Sinatra all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
Never had a hit movie or hit TV show or hit record. I just had visions of doing the best quality of music. Now there is a place for me because Frank Sinatra is dead. They want me to play the music. If it wasn't for that, I wouldn't be noticed. The only satisfaction is that I do what I do well. That's the only lawful satisfaction.
I had a lot of fun with Frank Sinatra, because he was such a hooligan, and so to himself, he was the king, and everything was his way, and I enjoyed watching that.
If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
By the end of Pop's life I wanted to give something back and when I came on board as his musical director he needed me. I wasn't the greatest conductor of the orchestra, but I was hired to conduct Frank Sinatra. He was slowing down, his memory wasn't what it had been. But his audience never stopped loving him. He had teleprompters.
[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.
I've had more comebacks than Frank Sinatra.
There was a time in medieval England when they had wandering minstrels ... A wandering minstrel would have been Frank Sinatra's counterpart had he lived during the time of Henry II in 1190 or 1180.
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