A Quote by Celia Imrie

I love Monet - I've nicknamed him King Blob. When you go up to the painting, it's a series of blobs - amazing. — © Celia Imrie
I love Monet - I've nicknamed him King Blob. When you go up to the painting, it's a series of blobs - amazing.
I hate darkness. Claude Monet once said that painting in general did not have light enough in it. I agree with him. We painters, however, can never reproduce sunlight as it really is. I can only approach the truth of it.
Arise Evans had a fungous nose, and said, it was revealed to him, that the King's hand would cure him, and at the first coming of King Charles II into St. James's Park, he kissed the King's hand, and rubbed his nose with it; which disturbed the King, but cured him.
Monet's work would have been even greater if he had not abandoned figure-painting.
Painting bores me like everything else. Unfortunately, painting is one of the activities - it is bound up in the series of activities - that seems to change almost nothing in life, the same habits are always recurring.
The back of Donald Trump's head is fantastic and his eyebrows are amazing. His overbite and his series of chins and the color of him and the texture. It's amazing! He's like an artifact. It's an amazing head to draw and I have to think it's got to be part of his success. It's ready-made for public consumption.
Trinity Taylor and Ginger Minj both went on one of these big roast tours where the comedians all make fun of each other and I wrote their sets for that. Sometimes I help Monet X Change punch up jokes for her show, 'The X Change Rate.' I don't charge Monet because she's my best friend.
I have ridiculously bad eyesight, but I have learned to live with an impressionistic view. Life is a Monet painting. I wander around enjoying myopia.
At the point where I'm trying to force something and it's not happening, and I'm getting frustrated with, say, writing a poem, I can go and pick up the brushes and start painting. At the point where the painting seems to not be going anywhere, I go and pick up the guitar.
It's amazing, the quality of good work that happened in the fifties when a series would have to turn out 30-some episodes a season - it's amazing that 'I Love Lucy' was as good as it was!
Painting someone's portrait is, of course, an impossible task. What an absurd idea to try and distil a human being, the most complex organism on the planet, into flicks, washes, and blobs of paint on a two-dimensional surface.
I know this is going to sound corny, but I love my life. I love my baby, so I love getting to wake up with him. And I have the most amazing job, with writing that any actor would love and costars who I can't wait to see on Monday mornings. And I love coming home to my husband.
Picasso had nicknamed Georges Braque "Wilbur," thereby becoming "Orville" in their Wright Brothers-like ambition to get painting off the ground of conventional representation.
It was amazing for me to play a character opposite Benedict Cumberbatch - he's someone who I've looked up to for years - and the idea that I would work with him and then become friends with him was an amazing experience.
When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.
Fred Silverman, the head of ABC, he offered me a lot of comedy series but I told him I'd already been the best comedy series around, "The Odd Couple," and so when he saw that I did Quincy he called my agent and said, Jack turns me down? All my good series and he ends up playing an undertaker." And this was the HEAD of ABC series.
Every king sleeps, but not every king wakes up as king! The snakes of the intrigue crawl around during the night! The cleverest king is the least sleeping king!
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