A Quote by Selma Blair
Dark Horse movie might be blood, sweat, and tears for Todd Solondz, because things are so important to him and so specific. He has such a rhythm and a tone. So while he may have to work so hard to keep that intact, it allows the actors the freedom to just breathe. Because he's done all the heavy lifting. He really has. He has everything the way he needs it. And so we can just get there and be whatever he saw in the audition.
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It doesn't matter what you make - if you create a movie or build a car or whatever, it's the amount of blood, sweat, and tears and money and everything that goes into it that needs to be rewarded.
In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.
I think this is really a defining moment for the Arab world. The problem is, it is all going to be about blood, sweat and tears. In certain countries it may be just sweat, and in some countries sweat and tears, and in some countries, as you can see, a lot of blood. I think initial instability is something that we are all extremely nervous of.
I’m not trying to turn you into cowboys, I’m just trying to get you better coordinated, get your horse used to things, get your horse comfortable.
Heck, on the first ride you should be swinging a rope off a horse. You should be doing this not so you can rope a cow, but just to get him (your horse) gentle.
You can’t think of everything in life your horse might encounter that might make him afraid so you’d better prepare em for it in other ways.
Most blacks will argue that they excel because of hard work, because of intellect, determination, sweat, blood, tears and risk.
I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.
Dark Horse was my second time working with Todd Solondz. I love him truly, very much. And I don't think he'd ever worked with an actor a second time. It was groundbreaking.
If you hire people just because they can do a job, they'll work for your money, but if they believe what you believe, they'll work for you with blood and sweat and tears.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
There is just this need to feed the beast of movie, or TV, or whatever it may be and you don't want to do things just because you're supposed to do them, or because they're required, or whatever it maybe.
I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
I like the dark part of the night, after midnight and before four-thirty, when it's hollow, when ceilings are harder and farther away. Then I can breathe, and can think while others are sleeping, in a way can stop time, can have it so – this has always been my dream – so that while everyone else is frozen, I can work busily about them, doing whatever it is that needs to be done, like the elves who make the shoes while children sleep.
Horses are consistent and logical. The horse will do what is easiest for him. If you make it easy for him to buck you off, kick you, and run away, that’s just what he’s going to do. And more power to him. But if you make it easy for the horse to be relaxed and calm and accurate — and also have it be a beautiful dance between you and the horse — it won’t be too long before he’ll be hunting for that just as hard as you are. Whatever you make easy for the horse, that’s what he’s going to get good at.
You can get glory days, bad days but the most important thing is to just keep your head down and keep working because at the end of it all if you work hard everything is going to be fine.
I haven't really lost faith in my work - other than for quite short periods when the work is harder than usual - but I have hit points where I want to quit because cartooning is just too hard, too demanding an art form. Basically, there's nothing to be done about that but to keep going (if you're in the middle of something), or stop for a while and do other things while you wait for your motivation to return.
I think if anyone tells you the odds are slim, just keep walking. Just do whatever the hell you want to do, because they don't know what they're talking about. When you love something, and you work really really hard at it, you can do it.
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