A Quote by Seth MacFarlane

I had - I was pretty hell bent on getting into the cartoon business specifically as an artist from the get-go. — © Seth MacFarlane
I had - I was pretty hell bent on getting into the cartoon business specifically as an artist from the get-go.
You work like hell to get yourself ahead in the business. You could go anywhere before, and suddenly you can't go anywhere. It's like being a cartoon character.
We should be hell bent on getting those weapons of mass destruction, hell bent on having a credible approach to them, but we should try to do it in a way which keeps the world together and that achieves our goal which is removing the... defanging Saddam.
Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.
I had extra thick light sabers because mine kept getting bent. I'd be halfway through a fight and it would be like 'Oops, sorry! Mine's bent again!
I can't tell you how many pictures I've missed just 'cause I've been so hell bent on getting the shot I think I want.
I get whiskey bent and hell bound.
At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.
I'm not going to Russia and tell them to go to hell and think - that's not the way things are done. You chip away at something and you hope that there will be dialogue and that the situation can get better. You don't just go in there with guns blazing and say well, to hell with you because they're going to say to hell with you and get out of the country.
I get a fine warm feeling when I'm doing well, but that pleasure is pretty much negated by the pain of getting started each day. Let's face it, writing is hell.
Things do look pretty grim, but I think there are more laughs in Hellboy in Hell than there are in B.P.R.D.: Hell on Earth. I think Hell is getting nicer and Earth is getting worse. Once we figured out what we were doing, the whole point of the Hellboy/B.P.R.D. stuff has always been evolution. The kind of evolution we're seeing on Earth is nasty evolution - part of this kind of evolution is that you have to wipe out what was there before you can replace it.
At first the cartoon medium was just a novelty, but it never really began to hit until we had more than tricks... until we developed personalities. We had to get beyond getting a laugh. They may roll in the aisles, but that doesn't mean you have a great picture. You have pathos in the thing.
I choose to ignore hell in my life. When I was a little kid I asked my Dad "Am I going to go to hell?" because I'd heard about hell. And he said, "Nothing you're gonna do will get you into hell." And so I got to ignore it.
I wanted to become a cartoon artist, a portrait artist, and an illustrator. This was my first idea.
If a European guy came to Africa and said hey guys, you don't have good - people could tell him to go to hell. You are an imperialist. You are a colonialist. Who are the hell are you to come and tell us what to do? I'm an African. Whatever I say nobody in Africa tell me well, it's not of your business. It is my business.
And maybe getting a grip and letting go are not so dissimilar, when the holding on or the letting go is all part of moving on-getting on with it. Getting on with the difficult and dizzying business of living.
I didn't want to go get a job or get a degree in business or marketing, or whatever all my friends were getting degrees in.
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