A Quote by Syd Barrett

There's so much around, you don't know what to listen to. All I've got at home is Bo Diddley, some Stones and Beatles stuff, and old jazz records. — © Syd Barrett
There's so much around, you don't know what to listen to. All I've got at home is Bo Diddley, some Stones and Beatles stuff, and old jazz records.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
I belonged to the Columbia Record Club, and that's where my records came from. For some reason, I was in the 'jazz' category. I got Benny Goodman records and Miles Davis, J.J. Johnson and Kai Winding, and that kind of stuff. I really was not a jazz guy at all, but I knew some of those names.
Little Walter and Muddy Waters were incredible. And Bo Diddley was doing some great stuff, too.
In the media, a reviewer has his personal vision but it's passed along to a million readers or whatever. He might think that this particular song sounds like Jo Blow. Or like a Bo Diddley record that he heard six years ago. But the artist who made the record may never have even heard the Bo Diddley song. We all respond differently.
I used to listen to the Beatles and Stones, whereas Angus was more into the heavier stuff - Cream, Hendrix - with the lead guitar.
I learned to play piano in a rock n' roll context or band context from country records - you know, Floyd Cramer - and from the Beatles and the Rolling Stones and Stax. And none of those are keyboard records.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
Not to be mean about it, but some great rock and rollers, like Bo Diddley and Chuck Berry, are pretty one-dimensional.
It's true that when I was younger and I first got interested in music, I used to read books about the Stones and the Beatles and how they listened to Muddy Waters and people like that when they were starting out, who are much less well known now than the Rolling Stones. The Stones really changed blues.
Rolling Stones came later for me. I was a Beatles guy. All of us were pretty much more along the lines of Beatles guys than we were Stones or Elvis.
I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
Sometimes I'll listen to a little old Van Halen, or some Beatles, Zeppelin stuff, classical music... I like a lot of different things.
One of my favorite things to do is sit around and listen to old records... You're forced to listen to the whole thing. And it's so cool digging through the bins trying to find them. I get giddy about records.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I've been listening to the old school hip-hop stuff and rock like The Beatles and the Rolling Stones.
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