A Quote by C. J. Chivers

Actually, in a lot of circumstances, the Kalashnikov is poorly used by people who are not especially good shots, or who are outright bad shots. In these cases, the rifle's weaknesses emerge. As far as accuracy goes, the Kalashnikov is stubbornly mediocre, and the ease with which it can be fired on automatic means that many people fire it on automatic when they would be better served firing a single, aimed shot. Getting shot at by a sniper is a much different experience, and far more frightening. But either experience is, to borrow your word, memorable. These memories are pretty much all bad.
Certainly the automatic Kalashnikov's ease of use and durability make it desirable for all sorts of people up to no good. But rifles are rifles - there are many other choices out there. You see the Kalashnikov almost everywhere there is fighting because there are so many of them.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
The automatic Kalashnikov is a tool, an implement designed for ordinary men, without much training or undue complications, to kill other men, and to be used in the conditions in which wars are often fought. But it's only a tool, and while its ready availability in many unstable lands can be seen as kindling violence, this is not simply because of the weapon's qualities themselves. It is because of the quantities of the weapons that have been made.
That "I don't give a darn" attitude is probably why I've shot so many good final rounds over the years when I started the day a few shots behind with nothing to lose. . . and maybe that's why I've shot so many bad last rounds when I was ahead and knew I couldn't afford a mistake.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
Sometimes you get nervous because you cannot make shots and then you rush your shot and then you take bad shots and then you get even more nervous.
A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.
Every day you gotta bring it and you gotta perform. If you have one big bad hole and just hit a couple of bad shots at the wrong time, pretty much wrecks the whole day and most cases your whole week. So that's the hard thing about golf.
Most folks here got rules 'bout trespassing. Warning shot's fired right close to the head. Get they's attention. Next shot gets a lot more personal. Now I'm too old to waste time firing a warning shot.
I've storyboarded for things other people have shot. So thinking in shots and orchestrating shots is not foreign to me at all.
In my view there is a level of human knowledge that involves just getting it right aptly. This "animal" epistemic level is an inferior level in just the way of Diana's long shot in the dark while drunk. That shot is inferior in a certain respect if too poorly selected as a hunter's archery shot, even if not quite as poorly selected as would be a shot aimed at the moon. Even if Diana's too risky shot turns out to be apt by attaining success through sublime archery dexterity, it is still inferior in the particular respect of being so risky and hence so poorly selected.
But now the shots began—not many, but one shot is a fusillade if there have been no shots before.
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