A Quote by Sijie Dai

Calligraphy may well be simply an artistic version of another form, that is the ideograms which make up the poem, but then not only does it reflect the character and temperament of the artist but . . . also betrays his heart rate, his breathing.
A long-established occupation may form the very foundations of the moral life, that the art with which a man has solaced his toil may be the salvation of his uncertain temperament.
I prefer formal techniques, and use sonnets and rhyme, any manner of scheme to give a shape and order-of feeling as well as argument-to a poem. But all my life, I've also been a person who's made his bed in the morning and picks up the bath mat. That's what I mean by temperament. Whether genetic or acquired, I have a disposition to arrangements. One is born with this, as if with blue eyes or a weak heart. Do you think Allen Ginsberg ever put the cap back on his toothpaste?
Not only does democracy make every man forget his ancestors, but also clouds their view of their descendants and isolates them from their contemporaries. Each man is for ever thrown back on himself alone, and there is danger that he may be shut up in the solitude of his own heart.
The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
The beginner hugs his infant poem to him and does not want it to grow up. But you may have to break your poem to remake it.
To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.
He [the artist] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.
The artist, surgeon, through clay form, can only look for cure with great obstinacy until he discovers, repeatedly, that love is god's only gift that enables man to transcend his tragedy and regain his wholeness and well-being beyond the claws of evil, rampaging as evil may be.
I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
The person who tries to live alone will not succeed as a human being. His heart withers if it does not answer another heart. His mind shrinks away if he hears only the echoes of his own thoughts and finds no other inspiration.
The true poem is not that which the public read. There is always a poem not printed on paper,... in the poet's life. It is what hehas become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince's gallery.
I think it's the job of the artist to reflect the times and also reflect his or her views of the world.
In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.
In nothing does man, with his grand notions of heaven and charity, show forth his innate, low-bred, wild animalism more clearly than in his treatment of his brother beasts. From the shepherd with his lambs to the red-handed hunter, it is the same; no recognition of rights - only murder in one form or another.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
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