A Quote by Sydney J. Harris

Norbert Blei is a writer the way people used to be troubadours and minstrels, celebrating what he has seen and heart and felt in a deceptively simple style reminiscent of the early Sherwood Anderson. . . . Like Anderson, he is a lover, and his affection invests his writing with a singular charm.
When I started working as a writer-director, that's when he became Paul Thomas Anderson and I became Paul W.S. Anderson. Neither of us can write and direct an American movie under the name Paul Anderson.
I really like Cain Velasquez. I like his pace that he puts on; he is mentally and physically breaking everybody he goes with. He's just tenacious and relentless. I like Anderson Silva, too. I like his style. He's very relaxed.
In his scintillating new novel, Matt Bondurant explores a crucial period in the history of Virginia and of his family. His gorgeous, precise prose brings to life an amazing cast of characters, including Sherwood Anderson, and the often deadly battles of Prohibition. The Wettest County in the World is a remarkably compelling, highly intelligent, and deeply moving novel.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
Hulk Hogan's wife has filed for divorce. This is the most devastating breakup since Pam Anderson and Tommy Lee. And then Pam Anderson and Kid Rock. And soon, Pam Anderson and Rick Salomon.
I think the book that really kind of woke me up a little bit when I was starting to write was 'Winesburg, Ohio' by Sherwood Anderson. I was in grad school at Brown, going for an M.A. in creative writing. Those stories seemed to me to be doing away with pretty writing.
Paul Otremba’s remarkable first book, The Currency, is an intriguing foray into lyric epistemology that tries to come to ter ms with the implacable, paradox-ridden nature of knowledge and experience. These are deeply felt, deeply meditated poems guided by a sensibility highly attenuated to the physical world. In their openness to friendship and love and in their fearless directness, they remind me of the work of Larry Levis and Jon Anderson. Like Levis and Anderson, Otremba promises to be an influential and important voice for his generation.
There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
The worst injury I've ever seen in a fight was with Anderson Silva when his leg snapped in half.
I think when it comes to Anderson Silva, it comes down to his speed, his distance and his timing are impeccable. They are second to none and that's what makes him dangerous.
I want to work with Wes Anderson, Paul Thomas Anderson, the Coen Brothers, or Spike Jonze.
Like the way Anderson Silva does it - have a fight at 205 every once in a while and always make 185, his weight class.
He's (Feijao is) a different fighter than Anderson Silva so it doesn't matter that they train together. And I think I've improved a lot since I fought Anderson.
I'm just very impressed with the way Jimmy Anderson goes about his business.
The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.
We have amazing people that help us backstage, and Arn Anderson is someone I always like to look to. He's a legend in his own right.
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