A Quote by Sidse Babett Knudsen
When we started making 'Borgen,' no one had any idea it would have any appeal outside Denmark. No one expected it to follow the success of 'The Killing' because it's basically all about Danish politics.
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Luther exerted a strong influence on Denmark. Suddenly Danish theologians were preaching in Danish and translating the Bible into Danish.
When I started to write music that was completely divorced from any sort of idea of commercial success, the real me started to come out. Normally, a musician in a session for a pop record would have to discard a lot of ideas because they won't fit, because they're not commercial.
My idea of what was going on in politics was driven by activism. I came out when I was 17, and right away I started working in the AIDS activist movement. For me, politics was about getting drugs approved and getting prisoners access to the same kind of drugs that you could get on the outside. It was about getting needle exchanges approved. That was politics. These were policy problems that were killing people, and we were trying to get them changed.
Both Christian and Adrian had worried there would be some piece of Strigoi left in him, but their fears had been about violence and bloodshed. No one would have guessed this: that living as a Strigoi had hardened his heart, killing any chance of him loving anyone. Killing any chance of him loving me. And I was pretty sure that if that was the case, then part of me would die too.
Usually, when you get early versions of scripts, they are not very good. I found 'Borgen' amazing from the very first read-through because of how fast-paced and gripping it was. It felt more international because of the way it didn't dwell on the characters' personal lives as many Danish shows used to, but still, nobody thought it would travel.
It was my idea that if you started any kind of business, you should begin somewhere near where you hoped to end. In other words, if I wanted to make really good clothes to order, I would start out making good, and therefore expensive, clothes to order. If I started making inexpensive clothes, I thought probably I'd die making them.
I don't believe there is any justifiable reason for killing any animal unless perhaps if it's killing you! That would be negotiable.
'All Def' is unlike any other comedy show or set because 'All Def' goes back to the essence of how urban comedy started. We give it a 'stoop appeal.' A stoop appeal is important for us because it's where pretty much all black comics started doing their standup: cracking jokes on the stoop, in the hood.
When I first started out, there were times I would dress or act in a way because I thought it was expected of me or that people would take me more seriously. But once I started leading in a way that was authentically me, that is when I really started to see success.
What kind of religion is it that would encourage the parent to shelter the child from any outside influences and punish it by putting it out in a world you never had any way of learning about?
I think in the '80s, when I started making films, we were all suspicious of these technologies. We were all convinced they would filter out any emotion and sense of intimacy, and the films I made during that period reflected that. In fact, what has happened is the opposite. I think we're saturated with a degree of intimacy we would never have expected, and we're trying to sort through this idea of complete access to each other's lives on an ongoing basis. Our emotions aren't filtered out at all. They're actually accelerated.
I had a lot of respect for what my dad did and the success that he had. I wanted to give it a try. He never forced me in any way to go this route. It was my decision. He would push me to work harder at it but only because it was my decision to race. If there was ever a day when I didn't want to do it any more, he would be fine.
'Coriolanus' deals with the birth of democracy. And that has been fascinating because I've been talking about politics so much because of 'Borgen.' It's a nice bridge.
I started very early. I started to be interested in design when I was 14 years old, basically, and before I was just like anybody else, any other kid. I was playing with everything. I loved to do stage sets by cutting a piece of board and making a cut in three sides, flipping it down, making the stage.
If any want to become my followers," Jesus says. Following him is not something that is self-evident, even among the disciples. No one can be forced, no one can be expected to follow him. ... "If any want to follow me, they must deny themselves ... and take up their cross.
I never had any idea that I would have a career quite honestly. You never really have any idea what is going to happen. You have an idea of what you would like to happen.
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