A Quote by Sylvia Mathews Burwell

Certainly it is much easier to think about negotiating and having deals when there is a singular represented point of view. That pretty much is a given. — © Sylvia Mathews Burwell
Certainly it is much easier to think about negotiating and having deals when there is a singular represented point of view. That pretty much is a given.
I started writing a novel from the monster's point of view. It has its own difficulties but, I'm ashamed to say, it's much easier writing from a psychopath's point of view than from that of their empathetic opposite.
I think it's probably much easier to do political comedy from a two-party point of view, in that the majority have some sense of what it means to be one or the other.
If you think about rap and how it has become so much easier to record music and release it, and you think about everyone in the world being a 'rapper' these days, it's so much easier. But it's still as hard as ever to break through and truly be successful in this industry.
I don't think I need too much help. I think my head's on pretty straight, and I'm pretty realistic about things. I'm very focused, so that certainly prevents me from going all over the place.
When you've had a chance to live some experiences then you can really write, and not having lived that much when I was young I didn't have much to write about. Now having seen life, the songs seem to come easier.
Your funny gets developed pretty early on. Comedy requires that you understand as much as possible about the viewpoints of all people and everything that's going on around you. It genuinely requires a true point of view, a real sense of your own view of things in the world.
That's pretty much what every scene is about, getting people to see your point of view. Sometimes you win, sometimes you lose.
I think people hate me pretty much across the board, which is nice. I mean, it's a pretty evenhanded loathing among a certain amount of the critical population, which used to be about 80 percent. So now I've gotten to the point where I just don't worry about it that much. It used to be very upsetting, now it's only mildly upsetting.
As much as early 2000s aesthetics are something I was pining for and very much love, I would occasionally struggle to find one singular image or one singular site that summed up all of my memories really well.
I think my ability coming into the NBA is going to make it that much easier for me with the space and the different type of players here. I think just by the spacing alone is going to make my game that much easier and that much better for my teammates.
There's a general sense that women are more relaxed and less defensive in comedy than they used to be. I think it's easier than it was but underlying it all there is still a pretty sexist view of women on stage, which to me hasn't changed that much.
I think an important approach for designers to take is to have a very - not singular but focused point of view.
I think 'Long Live the Kane' was pretty much a real boxed-in mindset with me just doing what I represented in the hood.
Think about it: if the world could see how much adoption means from a cat's point of view, shelters would be empty.
We're all looking from the point of view of our own reality tunnels. And when we begin to realize that we're all looking from the point of view of our own reality tunnels, we find that it is much easier to understand where other people are coming from. All the ones who don't have the same reality tunnel as us do not seem ignorant, or deliberately perverse, or lying, or hypnotized by some mad ideology, they just have a different reality tunnel. And every reality tunnel might tell us something interesting about our world, if we're willing to listen.
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
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