A Quote by Simone Weil
Why is it that reality, when set down untransposed in a book, sounds false?
Related Quotes
A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and it immediately becomes earthbound. Set down one sentence and it’s halfway to being just like every other bloody book that’s ever been written.
The book Forest Dark wants to provoke questions about what is reality and why are we so given to believe that reality is firm and unbendable. There's a whole host of questions that the book is asking about that. Why do we believe that the world is only one way and as we see it? Why are we not open to the ways in which it might be otherwise.
I was perpetually grief-stricken when I finished a book, and would slide down from my sitting position on the bed, put my cheek on the pillow and sigh for a long time. It seemed there would never be another book. It was all over, the book was dead. It lay in its bent cover by my hand. What was the use? Why bother dragging the weight of my small body down to dinner? Why move? Why breathe? The book had left me, and there was no reason to go on.
I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'
Tegus, I'm leaving this book behind for you, so you will know the why of it all, and maybe you'll forgive me, or maybe you'll think me false and reprehensible. You'd be justified. I couldn't stand the thought of your reading all my words unless I knew for certain that I'd never have to face you again, so please don't look for me. If you read the book in its entirety, you'll know for truth who is Lady Saren. And I guess you'll also know that I'm a silly girl who writes down every word you said to me.
To be honest, there are parts of 'How Literature Saved My Life' that began as interviews. Someone was telling me that they think the book sounds very phonic: that it sounds like me speaking. And I don't think it's a coincidence that there are six to ten passages that I cadged from various interviews that I did post-'Reality Hunger'.
The Book of Mormon exposes the enemies of Christ. It confounds false doctrines and lays down contention.
To the degree to which they correspond to the given reality, thought and behavior express a false consciousness, responding to and contributing to the preservation of a false order of facts. And this false consciousness has become embodied in the prevailing technical apparatus which in turn reproduces it.
Many young men started down a false path to their true destiny. Time and fortune usually set them aright.
Every book takes me from 35 to 41 days to write. I don't know why that is. I've tried to get it down to 30 or 31, depending on the length of the month, but it won't work. I don't drink while I'm writing because it fuddles my logical processes, but when I finish a book I go down to the kitchen and pour myself a big belt.
I don't understand anything technical about music at all. I don't understand any of it, why you can't put these sounds together with those sounds. I only know what sounds good.
The thing is too that when you sell people a false reality and they take that to be the norm, when that false reality is light-years from what’s really happening, that in itself is a tremendous defense mechanism because when you start talking about what is actually happening, it is so different from what people perceive to be happening. They just can’t make that jump; it’s too insane for them.
You could put your confusion and upset and worries into whatever book you were reading. You could sort of set them down in there, and you could come out with your head on a little straighter. I don't why stories worked that way, but they did.
If the book be false in its facts, disprove them; if false in its reasoning, refute it. But, for God's sake, let us freely hear both sides, if we choose.
I've had a five- or six-year down-spell as a writer, and now that most of the other contracts are cleared or down to the last book, I have a chance to do what I want to do - specifically, something set in New Orleans.
There are fundamental tensions between the biological reality of the planet and the economic reality. To some extent you can adapt the economy, create a new set of rules and incentives to send it down a better track, but finally people in the first world are going to have to consume a whole lot less.
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