A Quote by Cindy Morgan

I did one of the 'Amazing Stories.' That was the first time I got to play a character who was a dumb blonde. I actually channeled Judy Holliday. — © Cindy Morgan
I did one of the 'Amazing Stories.' That was the first time I got to play a character who was a dumb blonde. I actually channeled Judy Holliday.
I was asked once if I ever got tired of playing bimbos, and I answered that I've never played a bimbo. I've always played smart, manipulative women. Marilyn Monroe and Judy Holliday, who were not stupid, could play stupid really well, but I don't do it well.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. That's how you stand out in the crowd.
Every time you get into a new job, new location, you have an amazing opportunity in front of you. You get to play dumb for as long as people will allow you to play dumb. You get to ask all the dumb questions, you get to ask multiple people the dumb questions, and you get to make mistakes. Thats how you stand out in the crowd.
When I did my first Hindi film, 'Sargam,' I had to play a dumb girl. Critics went to town saying that since I was a south Indian and didn't know how to speak Hindi, producers of the movie decided to make me play dumb.
It doesn't bother me when someone calls me a 'dumb blonde.' I'm neither dumb or blonde.
I'm not offended by all the dumb blonde jokes because I know I'm not dumb... and I also know that I'm not blonde.
I was blonde most of my life and I had to dye my hair for a role. I couldn’t believe the difference when I went red. I just felt ‘wow, I’m home’. It’s great. You do something stupid when you’re blonde and you’re dumb. Do something stupid when you’re red and you’re a character.
It takes a smart brunette to play a dumb blonde.
I haven't deliberately set out to play the blonde bombshell in my movies. In fact, it's probably been quite the opposite. After the success of The Mask, I wasn't offered all that many blonde bombshell parts, to be honest. I think people believed from the beginning that I could actually walk and talk at the same time.
When we went to Judy Davis and said, 'We want you to play Judy Garland in the mini-series 'Life With Judy Garland,' she was shocked, but we just had an instinct about her.
I simply channeled a character, this time I allowed the character to inhabit me.
I'm lucky because I had blonde hair for a while for this TV show I was doing - they had me dye my hair blonde - and every audition I was going out for was bleach blonde. The mean girl, the pretty girlfriend, and the dumb cheerleader.
A big moment for me was when I did a play that was a new adaptation of Dostojevskij's 'Crime and Punishment,' and I played Raskolnikov. It was actually the first thing I did when I got out of acting school.
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
When I first was on Big Time Rush, the TV show, I did a lot of silly things. Among the first episodes that came out, my buddies wanted to have a viewing party, so we turned it into a drinking game. Every time I did something dumb, we took a shot. We were hammered!
It's such a shame that you were put in a category of a dumb blonde, but that's what they did in the '50s. You fought the system, but you didn't win.
This site uses cookies to ensure you get the best experience. More info...
Got it!