A Quote by Cynthia Kadohata
In 1982, when I was almost 26 years old, I decided I wanted to write fiction. I'd majored in journalism in college, and I'd always assumed I would write nonfiction.
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I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
He would write it for the reason he felt that all great literature, fiction and nonfiction, was written: truth comes out, in the end it always comes out. He would write it because he felt he had to.
I feel like I'm almost ready to write fiction about the border. But even after 10 years of writing nonfiction about it, I don't think I know quite enough to do it right.
It took seven years from the day I decided I wanted to write fiction to actually getting a book published.
I looked back at the years since I'd left college and thought of the list of things I'd have liked to do. I'd always wanted to write a book - not a small undertaking. I never felt I had the time or creative energy to spare in order to write one as well as I wanted.
I took two fiction-writing courses in college and majored in literature. I felt that I had a knack though I wouldn't go so far as to call it a talent. But it scared me. I felt it was a childish thing wanting to write and that I would forget about it eventually.
I wanted to be free to write the way I wanted to write, and my impression of Christian publishing, at least in fiction, was that there wasn't room for what I wanted to write.
I hated the culture [working in the bank], I hated the work. I very quickly realized that this wasn't what I wanted to do. So, after two years, I took some writing courses - I always loved to write - and I figured the only way I was going to get paid to write was in journalism.
For a while, when I got out of college, I tried to write fiction. I'd grown up more around novelists, and my initial attraction was to write fiction. But I was much less suited for it. I always struggled to figure out what people were saying or doing in a particular moment.
Well, to be honest I think I tell less truth when I write journalism than when I write fiction.
Ever hear the expression "write what you know?" My version says "write what you want to know." If you want to know about the history of Spain, write about the history of Spain - fiction or nonfiction. If your fascinated by the old west, maybe your character lives there.
I never wanted to be an editor. I never wanted to be a boss. I just wanted to write, and it didn't make any difference whether it was fiction or nonfiction or short stories or whatever. I just - that's what I was destined to do.
I've always wanted to write science fiction. It was one of my first loves, and I knew if I became a writer someday I'd probably write something in the science fiction vein, but I hesitated for a long while because it's such well-trod ground.
['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London...and I was totally unknown.... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought.
When people ask what kind of nonfiction I write, I say 'all kinds,' but really I mean I don’t write any kind at all: I’m trying to dissolve the borders between memoir and journalism and criticism by weaving them together.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
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