A Quote by Cynthia Ozick
We are so placid that the smallest tremor of objection to anything at all is taken as a full-scale revolution. Should any soul speak up in favor of the obvious, it is taken as a symptom of the influence of the left, the right, the pink, the black, the dangerous. An idea for its own sake - especially an obvious idea - has no respectability.
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We are so placid that the smallest tremor of objection is taken as a full-scale revolution.
Having never taken a business class, the economics of restaurants scared me. I opened Chipotle with the idea that I could step away from it and use it to support my full-scale restaurant.
Success is the study of the obvious. Everyone should take Obvious 1 and Obvious 2 in school.
The idea of 'talking white,' a lot of people grew up around that, just the idea that if you speak with proper diction and come off as educated that it's not black and that it's actually anti-black and should be considered only something that white people would do.
I am convinced that there is little force left in the Marxist stimulus to revolution. Its impetus is petering out as the practical failures of the doctrine become more obvious...What is left is a technique of subversion and a collection of catch-phrases. The former is still dangerous. Like terrorism, it is a menace that needs to be fought whenever it occurs.
My idea is to paint paintings so that when you walk into a room, I'm pulling you in, or that makes you suddenly stop and wonder: 'What is this? There is something groovy, something else going on here.' Also, I want to give you what is obvious and what is not obvious to the eye.
[T]he influence of the German school is most obvious in relation to the contract theory of the origin of the state and the idea of the function of the state. The theory that the state originates in an agreement between men was assailed by the German thinkers and the historical, organic, evolutionary idea substituted for it.
When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. When you put a sound to something and it's wrong, it's so obvious. When it's right, the whole is greater than the sum of the parts. That's a magical thing that can happen in cinema.
The general fact of surplus value, namely that the workmen does not get the full value of his labours, and that he is taken advantage of by the capitalist, is obvious.
The incarnation is “a kind of vast joke whereby the Creator of the ends of the earth comes among us in diapers Until we too have taken the idea of the God-man seriously enough to be scandalized by it, we have not taken it as seriously as it demands to be taken.
I liked the idea of having a record that's reggae-influenced but not musically, just lyrically. I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together. Which I suppose is at the root of most any religion. You're gonna find it, if taken in the right context.
My own idea is that if the men hold any meetings or attempt to form any organization, we should be prepared to be fully informed of all that goes on and unhesitatingly discharge any men connected with this movement. In this way, our peace will be secure for a long time, and it will be easily done if taken at the start.
America thrives on identity politics, left and right. But France is opposed to the idea. Since the Revolution, the French have enthroned the idea of universalism. All of us must be equal before the law as abstract individuals, and that extends to the arts.
...[W]e should be mucking about all the time, because mucking about is enjoying life for its own sake, now, and not in preparation for an imaginary future. It's obvious that the mirth-filled man, the cheerful soul, the childish adult is the one who has least to fear from life.
But just in proportion as this process of extermination has acted on an enormous scale, so must the number of intermediate varieties, which have formerly existed, be truly enormous. Why then is not every geological formation and every stratum full of such intermediate links? Geology assuredly does not reveal any such finely graduated organic chain; and this, perhaps, is the most obvious and serious objection which can be urged against the theory. The explanation lies, as I believe, in the extreme imperfection of the geological record.
Think about Mann's own daily routine (ascribed to Aschenbach), read the extant diaries and the letters in which he discusses the novella's themes, and it won't be so obvious that the attraction to Tadzio is completely unprecedented; it also won't be obvious that what Aschenbach wants is full sexual contact.
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