A Quote by Cynthia Ozick
I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.
Related Quotes
Five hundred words a day is what I aim for. And I don't go on to the next chapter until I've polished and polished and polished the one I'm working on.
I remember Emilio [Estevez] and I were at John's house during the rehearsal process. And John [Huges] had mentioned he wrote the first draft of Breakfast Club in a weekend. And we both at the same time went, "First draft? How many do you have?" And John said he's got four other drafts. And we go, "Can we read them?" And for the next three hours, Emilio and I read those other four drafts.
Books are like sapphires; they must be polished - polished! or else you insult your readers.
A 3K word story might well be done in some caffeine-and-nicotine-fuelled 36 hour session, and at the end of it, there'll be a few passes of editing required, but I basically have a polished draft.
My mother kept all my awards on the sideboard of her front room, and she polished them. She polished everything religiously. And it doesn't take long for the very thin layer of gold to disappear and the base metal underneath to show through.
Everyone sees the unseen in proportion to the clarity of his heart, and that depends upon how much he has polished it. Whoever has polished it more sees more - more unseen forms become manifest to him.
I definitely feel I'm outside of the polished pop girl group, which feels right. I don't think I could keep up that polished surface on purpose.
Virtue and learning, like gold, have their intrinsic value: but if they are not polished, they certainly lose a great deal of their luster: and even polished brass will pass upon more people than rough gold.
Exactness is first obtained, and afterwards elegance. But diction, merely vocal, is always in its childhood. As no man leaves his eloquence behind him, the new generations have all to learn. There may possibly be books without a polished language, but there can be no polished language without books.
You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
I wrote a novel, Ghost Road Rules, and as soon as it was done and polished, I began reaching out to agents. I ignored the frequent advice to 'shoot low and try for a low-level agent because they're the only ones that will take a flyer on a new author.' That sounded like bad advice to me.
The key to my accuracy is making sure my feet are set right and trying to have a more polished throwing motion, a more polished stroke, you can say. When my feet are right, my hips are allowed to open a little better, which is kind of where your accuracy comes from.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
My hair is wild and free, but I've always been told that [straight hair] is more polished, and a more polished version of yourself is a better version of yourself. That it's more professional.
Yes, the first draft is the key. That's why I put so much energy, focus, and attention on the first draft, because I respect that first go at the story. If I don't have the key in that first draft, I invariably won't get it in subsequent drafts, though I can craft around it.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
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