A Quote by Cynthia Ozick
A novel can be set in motion by an incident, a character, a location, a mood - by anything at all. Sometimes the stimulus can be an idea, which will rapidly clothe itself in character and incident. 'Foreign Bodies' came about through the contemplation of the contrast between post-second world war America and Europe.
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What is character but the determination of incident? What is incident but the illustration of character?
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
The birth of Christ our Lord was more than an incident, it was an epoch in the history of the world... He came to teach us the character of God, and by example and precept pointed out the path which, if we walk in it, will lead us back into his presence. He came to break the bands of death with which man was bound, and made possible the resurrection by which the grave is robbed of its victory and death of its sting.
No, you don't have to start your play with a premise. You can start with a character or an incident, or even a simple thought. This thought or incident grows, and the story slowly unfolds itself. You have time to find your premise in the mass of your material later. The important thing is to find it.
Sometimes the director will want you to write about the character, sometimes he'll want you to live in the location that the character is from or something like that, but I don't usually make a lot of notes or anything like that.
The generation which lived through the Second World War is disappearing. Post-war generations see Europe's great achievements - liberty, peace and prosperity - as a given.
In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
Curious Incident is not a book about asperger's....if anything it's a novel about difference, about being an outsider, about seeing the world in a surprising and revealing way. The book is not specifically about any specific disorder.
What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
I must not fall asleep in the middle of my life. Out of the blankness that surrounds me I must pluck the incident after incident after incident whose little explosions keep me going.
I still think that we have a hesitance to talk about things racial. And I think we do it at our detriment. We go from incident to incident, and we have spikes in which race becomes something that we talk about, as opposed to talking about race in those less contentious times when I think we might make more progress.
We build character in order for us to withstand the rigors of combat and resist the temptations to compromise our principles in peacetime. We must build character in peacetime because there is no time in war. Character is the most important quality you can find in any person, but especially in a soldier. It is the foundation that will get anybody through anything he may encounter. Reputation is what people think you are; character is what you are- that is the staying power.
The charm of variety there was not, nor the excitement of incident; but I liked peace so well, and sought stimulus so little, that when the latter came I almost felt it a disturbance, and rather still wished it had held aloof.
I think the very idea of character, of developing not just grit, but empathy and curiosity, emotional intelligence - you know, the things that I want my own daughters to develop - the idea that we're going to get there through rewards and punishments seems completely at odds with the idea of character itself.
Democracy is not an incident that happens overnight, nor a gift that America can give to the world. It is a culture which needs peace to evolve.
Idealism that makes no distinction between areas where our national interest lies and those from which it is remote does no good for America. The weariness of the post-Versailles, post-Korea, post-Vietnam eras is never far from the national mood.
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