A Quote by Siri Hustvedt

I am an American, but a sense of otherness was part of my growing up. I spoke Norwegian before I spoke English. My mother is Norwegian. — © Siri Hustvedt
I am an American, but a sense of otherness was part of my growing up. I spoke Norwegian before I spoke English. My mother is Norwegian.
I dream in Norwegian, I count in Norwegian so that basically makes me Norwegian now, I suppose.
I'm 100% Norwegian. Three generations removed and all continuous inbreeding of Norwegian of Minnesota and Iowa, so I traveled to Norway before.
If you're a Norwegian writer, you are not visible in the world. The door of the English language is very hard to open for a Norwegian writer.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
I grew up in the South Pacific. Basically, my brothers were Guamanian. I spoke words of Guamanian long before I spoke words of English, and so I've seen a lot. You know, I've traveled in places where people don't have the benefits of American life. And so I've seen a lot of stuff.
My mom is a Sikh immigrant born in a refugee camp. My Irish-Swedish-Norwegian-Danish-English-American dad grew up Baptist.
In Sweden I am considered the Finnish-Norwegian, in Norway Finnish-Swedish, and in Finland Swedish-Norwegian. I've never really belonged anywhere.
I really hated being the Norwegian girl in every single conversation in Australia, so I tried to make my Norwegian-ness invisible, speaking like whoever was around me.
And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting. So, whatever initial trepidation or fear I may have had was alleviated by those factors. I just said, "This is something to get on board with."
My first language is both English and Spanish. My mom was raised in Los Angeles, so with her we spoke English, but my father was born in Cuba, so with him we spoke Spanish.
Personally, I am a nationalist, but my race is my nation, and I see all true Europeans as my racial brethren and part of my nation, be them Norwegian, Danish, or Swedish, French, German, or English, Russian, Polish, or Belorussian, or whatever.
Growing up was very interesting for me. If you were Haitian, people just automatically assumed that English was a second language. So they had a special class for my brother and I, but we spoke proper English.
My father was an Episcopal minister, and for 14 years my family lived in China, in a city called Wuchang. We four children spoke Chinese before we spoke English. We left when the communists came, in the early 1930s. I was about 5 years old.
It is also a fact that people who are isolated and alienated in their neighborhoods as a result of the large number of neighbors who do not speak Norwegian, who do not follow the Norwegian customs, norms and way of life, could have psychosomatic disorders that can lead to both sickness leave and need for medical help.
I'm from Norway, and when kids were reading comics, I was reading Icelandic and Norwegian sagas about the Vikings. The glorification of violence, their mentality, and their way of living - that was part of my own education growing up.
A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.
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