A Quote by Cyril Connolly
I review novels to make money, because it is easier for a sluggard to write an article a fortnight than a book a year, because the writer is soothed by the opiate of action, the crank by posing as a good journalist, and having an air hole. I dislike it. I do it and I am always resolving to give it up.
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When I was in my early 20s, my dream was to write mystery novels. I wanted to do what my favourite crime writer, Ross Macdonald, did - crank out a book a year. The only problem - and it was a considerable one - was that I stank.
So, you see, it's a real chore for me to write a book review because it's like a contest. It's like I'm writing that book review for every bad book reviewer I've ever known and it's a way of saying [thrusts a middle finger into the air] this is how you ought to do it. I like to rub their noses in it.
I like the idea of standalone novels. I always found with series of books, it's something that publishers love obviously because they can make a lot of money and they build an audience from book to book, but I don't like that as a writer. I prefer the idea of just telling a story, completing it within your book, and moving on and not forcing a child to read eight of them.
I took up writing because I needed money. And I continued to write because it's safer than stealing and easier than working.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
I thought, well I can do that. I couldn't be bothered writing a book review, because I'd have to read the book, I haven't got time to read a whole book for a fifty dollar write-up.
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
It's much easier to write a solemn book than a funny book. It's harder to make people laugh than it is to make them cry. People are always on the verge of tears.
I learned that you have to respect how much time and work a writer has put into their book. I always give the writer I'm publishing a good deal of control in shaping the book and figuring out how it looks, but I'll make suggestions on how to make it stronger.
Because I write a book a year, I always want to do one other project every year that's stimulating in a different way. It means you can be working but not using up your prose juice, you know?
It is much easier to write a good Times leading article than a good joke in Punch.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
In 2011, I announced that I was going to retire, and my agent panicked. So she says: 'No, no, no. You have to write a book with your husband.' My husband is a writer of crime novels. His name is William Gordon. And so I had to accommodate to his style because that's what he writes. So we decided we'd give it a try. Well, we almost divorced.
The whole process of having to put the thing into the world seems so antithetical to the act of writing. Poetry is slightly easier, because there's less money and fewer people involved. You just let a book of poems trickle out in the world, and it finds its own people. Novels are much harder, and you don't think you should have to do some of the things you're made to do.
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
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