A Quote by Saoirse Ronan
One of the things that would steer me away from a franchise is that I'm playing the same character all the time and I wouldn't want to be known for that.
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My thing is, I want to play basketball, I would enjoy playing in the D-League, but at the same time I don't want to take an opportunity away from a young guy to get exposure. I'm still thinking about it.
When Paul Heyman came and gave me the whole idea for the character, 'The Franchise,' I remember the NFL was just starting to classify one of their players as the franchise player. So that was the whole idea, that 'The Franchise' was the franchise player for ECW.
The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.
Though I'm considered a leading man, I still consider myself a character actor. Because acting, to me, is creating a character, not playing the same thing all the time.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
I always want to set myself a challenge by doing something no-one would expect me to do! But, having said that, I don't feel as a musician you can steer too far away from what you normally do.
I seek a diverse spectrum of roles. If I just was in a large-budget feature for a younger audience, then I want to find a smaller, more character-driven piece that might be for a more mature audience. Or if I'm playing a goofier character, then maybe I want to go play a serious, psychopathic character. But at the same time, it's usually a case-by-case basis where I'm judging the merit of a role by the script I'm given, and it usually has less to do with the larger framework and more to do with how the part personally appeals to me in that moment.
I'm really enjoying the character now, but I don't want to just be Philip Marlowe. I wouldn't mind playing him every couple of years, perhaps, as a kind of open franchise - you know?
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
I don't steer towards anything. I steer towards character and truth. If it's funny then so be it. If it's dramatic, so be it. I just steer towards characters.
I want to be true to the character and maintain some consistency and give the audience what they love while at the same time keeping things fresh and grow the character.
I have to say a part of me was a little terrified to be only looked at as Shane from 'The L Word.' I was very conscious of doing something that would steer me clear or just steer me in a different direction.
We've [me and brother] been playing hockey for a long time, since we were little kids. I started playing hockey at two and a half. Obviously, playing hockey we want to be known as good hockey players and hard working guys that earn everything they get.
I'm trying to break the stereotypical role now of the Theo-type character because, in my post-'Cosby' life, as I call it, I don't want to be known as just the kind of guy who can play a Theo Huxtable-type character. I want to be known as being able to do more things, being able to stretch.
I couldn't do the same job for 30 years. That would make me want to kill myself. Other people do it and they're very happy doing it, but for me, that's not what I want. I like changing things, all the time.
I can remember the time I would get my scripts and spent the entire weekend breaking them down and playing with them, and putting a lot of work into them, trying to bring the character to life, and to make interesting choices. It was one of the things to me that told me that I needed to change things up a little bit, because to me, I felt the passion was lacking from some of my performances.
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