A Quote by Skai Jackson
I love to have a very bright center of my face. I learned that on 'Jessie'... it looks great on camera.
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My face is asymmetric, so it looks very different depending on where the camera shoots. That's my biggest complex.
The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?
I move my face so much because I'm very much expressive. I'm told a lot, 'Stop moving your face'. Because on camera, the tiniest movement tells so much, and it looks really hammy.
I bought my first camera to photograph my brother's children. I learned a lot from that experience. The value of innocence and of not being focused on yourself, and I have to say that these things have remained with me to this day. I can immediately feel when someone is putting on a camera face.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
My mom didn't use face cream, like, nothing at all. She's got great skin and looks very youthful.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
Crisper is great. The future of gene therapy looks bright.
A visual understanding of great composition and how to use a camera and expensive lenses can be learned, but drive and a real hunger for making photos and telling stories... I don't think that part can be learned. You either have that inside, or you don't.
My dad was really complex, and I was raised by that. My mom is really bright - very book bright - and so those things collide... I learned that I could put all of that stuff together in the world of acting, and I could make a dollar at it.
I'm camera shy. I don't necessarily like being front and center. I'd rather not have my face all up in everything. I'm not trying to be some mysterious producer or anything like that.
I suppose I'm a bit mean. My face on camera doesn't lend itself to happy nice guys. I think it's just that my bone structure looks menacing.
There is power in seeing a face that looks like yours do something, be someone. There is power in moving from the sidelines to the center.
I don't have a great face for camera.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
I have my insecurities, and some days you don't want to be photographed. You notice all of your flaws even if others don't notice them. Photo shoots also feel very vain because it's all about you and your looks and your face. I feel I work better on camera.
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