A Quote by Scarlett Moffatt
I put up lots of photos with no make-up because it's really important that people see this is what I actually look like.
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So for [Alexander Wang] to actually put me in a campaign, I was really honored. I'm excited to see how it comes out because I didn't look at the photos on set; I like to just live in the moment and do what I do and let him and his people put their touch on it.
I don't like girls who wear lots of make-up and you can't see their face. Some girls are beautiful but insecure and look much better without the make-up, but decide to put loads on. I like girls with nice eyes and a nice smile.
Dubai was a property bubble. Plain and simple. Go to Dubai and see what happened. It was... what I call it the 'Edifice complex' - it's just, we can grow by putting up lots and lots of buildings and trying to attract people to come here, stay here, and put up offices here and sooner or later, you put up too many.
[...] so important to believe in a concept of goodness, even if we make it up ourselves. We don't really make it up. it's there, isn't it?" "Oh, yes, it's there," she said. "It's there because we put it there.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
There are some fabulous treasures of photos of me during the early days of my career; there are these pin-up photos that make me laugh: I look like the poor man's Maria Montez. But there are some I look at, and I didn't realize how sexy I looked back then.
I was transformed by picking up a pair of binoculars and looking up, and that's hard to do for a city kid because when you look up you just see buildings - and really, your first thought is to look in people's windows. So to look out of the space - out of living space - and look up to the sky, binoculars go far, literally and figuratively.
It is easier to talk about issues; it is easier to say you're a feminist because it's actually awesome to be one. The panopoly of people identifying as feminists is really excellent now that we've come to a point where all these really interesting voices are rising up and saying they're feminists - women of color, trans people, gay folks, everybody. It's an exciting time to actually define as that because it means that people are really feeling like their voice is what's the most important thing in the movement, and I love that.
It's nice to actually look done-up, because people see a different side of me, the more girly side. Obviously, I can't do that with cycling. I can't go with nice girly hair and full make-up.
In storytelling you kind of put your nightmares up there, you put your dreams up there and people can see them better because they can stand outside of it and look at it and recognize themselves inside it. So I feel that that in and of itself is a spiritual thing.
When I'm in the studio, I like to be in there by myself because if I'm in the mike room, and I look out and see people talking, or they're not nodding their head or rocking to the music, it makes me feel like it don't sound good, or I'll be scared to really open up vocally because I might mess up, and they might be in there laughing.
I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
Churches crack me up. They're like money, a conspiracy of faith. Like everyone agreed to believe that not only is there a God, but he comes down and checks on folks, so long as they hang in certain places, put up alters, burn lots of candles and incense, and perform sit-stand-kneel and other wacky rituals that'd make a coven of witches not look OCD.
I really like 'Shameless' because it brings up important issues, but we get to talk and laugh and look at something that's really important, that's a problem, like alcoholism and bad parenting. It's done in a funny, smart way.
There were tons of bronzed Scandinavian types at the Sorbonne. Marvellously blond and healthy and shining white teeth. Funny thing though, because someone told me that if you actually go to Scandinavia none of the people who actually live there look like that. It's just a front they put up when they're abroad.
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