A Quote by Scott Borchetta

If you look at most of our roster, we've got great singer/songwriters. I'm always attracted to that. — © Scott Borchetta
If you look at most of our roster, we've got great singer/songwriters. I'm always attracted to that.
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
I think I'm different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
I think Im different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
We love the great Disney songs - they have always inspired us in our work and in our lives! But for 'Let It Go,' we looked elsewhere - to powerful female singer-songwriters like Tori Amos, Aimee Mann, Sara Bareilles, Adele.
I was part of the first wave of singer/songwriters but I was also in that first wave of singer/songwriters who experienced the music industry when technology started to take over.
Its hard to take in. One of our most talented singer songwriters has left us. RIP George Michael. Such sad, tragic news. 2016 please end.
I enjoyed hearing people do their own songs. I became attracted to singer-songwriters. I became interested in them as people; was curious about what they wanted to say.
If somebody says 'singer-songwriter' to me, the first person I think of is James Taylor. There are plenty of modern singer-songwriters, but there is something about James Taylor that has always resonated with me.
I definitely always wanted to be a singer and a performer. I think I got it from my parents because my dad's a singer and my mom's a singer, so it kind of runs in the family and I just thought it was normal.
You look at any roster and you say, 'Geez, he's pretty good. He's pretty good. He's talented. He comes off the bench?' All of a sudden, it's, 'Geez, that's a pretty good roster they got right there.'
When I came to WWE - I got signed when I was 23. When I was on 'SmackDown' roster, the main roster, I was 24. I wasn't ready for those responsibilities. I wasn't - I wasn't seasoned enough as a wrestler, as an in-ring performer.
When you have your roster set up different ways, you really just have to examine the roster, find out what their strengths and weakness are and hopefully you take your roster and the vision you want to implement of how you want to play and you can tweak your roster to create that.
The focus is on singer/songwriters now rather than huge shows. I mean, of course there's always a place for that too.
I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
I produce the most exciting matches with pretty much any person on the roster. Pick any guy on the roster, and I can tell you a match I had with them that people can still remember.
The way '205 Live' came about, there was a lot of trust put into our roster. Because if you look at it, the majority of our roster had not been in the developmental system and NXT. And the majority of us had not been on TV prior to that. So for WWE to trust us and literally hire us and throw us on live TV, it was very, 'Whoa!'
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