A Quote by Scott Weiland

Writing the songs and producing the songs and arranging them and recording them is your canvas and your palette and your brush. — © Scott Weiland
Writing the songs and producing the songs and arranging them and recording them is your canvas and your palette and your brush.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
Your music can be played easily and well by any half-stringed harper or fumble-fingered idiot. Not that I'm maligning your songs. It's just that they're an entirely different kettle of fish-to use a seamanly metaphor-to Domick's. Don't you judge your songs against his standard! More people have already listened to your melodies and liked them than will ever hear Domick's, much less like them.
You have to look at every one of your songs and be able to identify with them in a meaningful way. You can hardly sing your songs unless you're in them. If you want to fake it, go ahead. Fake it if you want. But I'm not that kind of singer.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
When I stopped trying to write songs, that's when I'm able to begin writing songs. You have to just use your life, and the things around you for your inspiration.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
The drumming helps a lot when I'm producing songs or writing songs. My knowledge of drums helps more in that aspect, (although) I don't know, man; I'm not great at any of them.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.
When you're recording classic songs, you've got to kind of make them your own, and you can't always worry about what people are going to think.
I kind of just stumbled into producing. It was more that I was a writer, and the only way you were going to get your songs done was to do them yourself.
With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? -Bob Dylan, "Sad-Eyed Lady of the Lowlands” (1966)
Bodybuilding is an art, your body is the canvas, weights are your brush and nutrition is your paint. We all have the ability to turn a self portrait into a masterpiece.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
I do pay performance royalties on others' songs I perform live, but I'm not recording these songs and putting them up for sale.
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