A Quote by Scott Kelly
Just like the bones and muscles, the heart is designed to work in one gravity here on Earth, so when you put the heart in space, it operates differently and changes shape.
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Gravity on Earth provides a force that keeps our bones and muscles working. In the microgravity of space, our bones and muscles are not taxed, so they begin to atrophy.
When I sing, my face changes shape. It feels like my skull changes shape... the bones bend.
Break my heart? Is that what you just said? I have news for you; you didn't break my heart. My heart's fine. My heart's in the best shape of its life. You know what you did to me? You took an AK-47 and blew my soul open.
Happiness comes from within you. If your heart is happy, you can do anything you put your mind to do. Purify your heart. Cleanse it. Make it a wake-up routine. Your environment may be harsh, difficult and tumultuous but if you work on your heart, you can be calm amidst all those challenges. So, to be happy, you not only have to work with all your heart. You have to work on your heart. You will glow from the inside out
A face isn't an organ, like a liver or a heart. A face is muscles, nerves, bones, and skin. A face is more like a hand or a foot.
What's aero braking? That's a way to use the gravity and upper atmosphere of Earth to sling shot a ship out either deeper into space, or slow it down to be 'captured' by Earth's gravity.
Other anatomical changes associated with long-duration space flight are definitely negative: the immune system weakens, the heart shrinks because it doesn't have to strain against gravity, eyesight tends to degrade, sometimes markedly (no one's exactly sure why yet). The spine lengthens as the little sacs of fluid between the vertebrae expand, and bone mass decreases as the body sheds calcium. Without gravity, we don't need muscle and bone mass to support our own weight, which is what makes life in space so much fun but also so inherently bad for the human body, long-term.
Contrology is not a system of haphazard exercises designed to produce only bulging muscles. ... Nor does Contrology err either by over-developed a few muscles at the expense of all others with resulting loss of grace and suppleness, or a sacrifice of the heart or lungs. Rather, it was conceived to limber and stretch muscles and ligaments so that your body will be as supple as that of a cat and not muscular like that of the body of a brewery-truck horse, or the muscle-bound body of the professional weight lifter you so much admire at the circus.
I'm sure you've heard people talk about their Heart's Desire—well that's a load of rot. Hearts are idiots. They're big and squishy and full of daft dreams. They flounce off to write poetry and moon at folk who aren't worth the mooning. Bones are the ones that have to make the journey, fight the monster, kneel before whomever is big on kneeling these days. Bones do the work for the heart's grand plans. Bones know what you need. Hearts only know want.
Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy.
Heart weeps. Head tries to help heart. Head tells heart how it is, again: You will lose the ones you love. They will all go. But even the earth will go, someday. Heart feels better, then. But the words of head do not remain long in the ears of heart. Heart is so new to this. I want them back, says heart. Head is all heart has. Help, head. Help heart.
There are many films I would happily spend two hours with, not so many I would spend two years with. I need to be obsessed about films, because the way I work, that means two years without sleeping at all, and losing part of your life. I need to put all of my energy and heart and soul and bones and blood and skin and muscles in the things that I do.
We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog 'I' that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.
When you are aware that you are the force that is Life, anything is possible. Miracles happen all the time, because those miracles are performed by the heart. The heart is in direct communion with the human soul, and when the heart speaks, even with the resistance of the head, something inside you changes; your heart opens another heart, and true love is possible.
Tess, Tess, Tessa. Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it—a heart ringing? But when you touch me, that is what it is like, as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Changes in size are not a consequence of changes in shape, but the reverse: changes in size often require changes in shape. To put it another way, size is a supreme regulator of all matters biological. No living entity can evolve or develop without taking size into consideration. Much more than that, size is a prime mover in evolution.
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