A Quote by Scott O'Dell

The annual award of $5,000 goes to an author for a meritorious book published in the previous year for children or young adults. Scott O'Dell established this award to encourage other writers--particularly new authors--to focus on historical fiction. He hoped in this way to increase the interest of young readers in the historical background that has helped to shape their country and their world.
You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.
I love New York City in the fall, and one of my favorite events of the season is the annual World of Children Award Gala, at which I have the profound pleasure of meeting the newest class of changemakers for children who are there to receive their World of Children Award.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
History buffs expect historical background in historical fiction. Mystery readers expect forensics and police procedure in crime fiction. Westerns - gasp - describe the West. Techno-thriller readers expect to learn something about technology from their fiction.
Incredibly, nearly 70,000 Young Adults between 15-39 are diagnosed with cancer each year. 10,000 will not survive. This is a very important stat for me, because I fall in this category. I am one of these statistics. Unlike every other age group, there has been no improvement in the 5-year survival of young adults in 30 years. That means many young adults have the same chance of getting cancer and dying from it as they did in the 1970's. This is not OK.
It was nice to receive the ICC woman's cricketer of the year award because when Jhulan Goswami won the award I was very young.
I'm so thrilled to have won the RITA. The award is particularly special because it is given by other romance authors. It's deeply rewarding and not a little humbling to be honored by such a talented tribe of writers.
There are still many writers out in the Bay, extraordinary writers like Gina Valdez, a poet who I just saw in Portland. We have young people like Eduardo Corral, who won the Yale Younger Poets Award. José Antonio Rodriguez, published by Luis Rodriguez. But there are only a few of us who are paid attention to in New York. There are legions behind us who are not.
Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.
Receiving both the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement and the Laura Ingalls Wilder Award suggests I have succeeded, at least in terms of my own goals, in my intent to make art that moves children.
The new concept of the child as equal and the new integration of children into adult life has helped bring about a gradual but certain erosion of these boundaries that once separated the world of children from the word of adults, boundaries that allowed adults to treat children differently than they treated other adults because they understood that children are different.
At this stage I am not involved with young adults as closely as many other writers. My children are grown up and my grandchildren are still quite young.
I was thrilled when this year's National Book Award for Young People's Literature went to Neal Schusterman's 'Challenger Deep.' This brilliant book takes you into the mind of a mentally ill teenager and deserves all the accolades it's received.
The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.
An award, to me, means a bonus. It's not that an actor works for an award. I don't work for an award. But, when you get an award, it is encouraging and inspiring and reminds you that you need to do well.
Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
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