A Quote by Scott Storch
As a kid, I used to sit there and figure out how to play everybody's song, and through learning all those songs I learned how to put chords together, and it evolved till I could say, 'Hey, I just wrote that.'
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I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.
I bought a guitar when I was twenty. But I didn't write a song until I was 25 or 26. I never learned to play others songs. I learned to play my own songs while I was learning how to make them better.
I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
'Free Mind' was a song written over a couple of years. It was pretty much three different songs that I couldn't figure out how to put together - until one day, when I was in the studio, it kind of just fell into place.
I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
Up till now I wrote the songs on my acoustic guitar alone with the Lord. Then I would take the song and share it with my family and then we all would figure out instrumentation together.
When I was first learning songs, I'd have a favorite song, and I'd take the chords and twist them around. I'd learn the chords and then play them backward. That was my first experimenting with writing a song.
It's of course important to mention that when DJing, I'm building my own story through the music. I'm figuring out what song to play next, what song to play after that, and how the two will blend together. How the emotion is going to develop from one song to another. So I first build that storyline.
I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".
It's dedicating yourself to your craft. Spending thousands of hours in a studio learning how to write a song, learning how to play different chords, training yourself to sing. You know, to get better and better.
I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
I only wanted to play the guitar so I could write music. As soon as I learned my first three chords I wrote my first song. It was just a tool to get me to be able to do the thing that I wanted to do.
For the live shows, I'm just getting my song together. I go back to my hotel room and I just listen to my song over and over again, figure out how to make it different and put my little Pia spin on it.
I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.
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