A Quote by Scott Storch

I would see musicians performing at weddings and bar mitzvahs, and I knew that at the very worst I could do that. — © Scott Storch
I would see musicians performing at weddings and bar mitzvahs, and I knew that at the very worst I could do that.
I am terminally sentimental about graduations. They are more individual than weddings, more conscious than christenings, or bar mitzvahs or bat mitzvahs. They are almost as much a step into the unknown as funerals-though I assure you, there is life after graduation.
Much of my music is inspired by what I heard at picnics and weddings and bar mitzvahs.
I started singing weddings and bar mitzvahs at 15, lying about my age. It was a great discipline.
We have birthdays and bar mitzvahs and funerals and weddings. And these ceremonies and rituals, I believe, really help us transition from one point to another.
Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'
My parents would frisk me before family events. Before weddings, funerals, bar mitzvahs, and what have you. Because if they didn't, then the book would be hidden inside some pocket or other and as soon as whatever it was got under way I'd be found in a corner. That was who I was...that was what I did. I was the kid with the book.
I played in front of every conceivable audience you could face: an all-black audience, all-white, firemen's fairs, policemen's balls, in front of supermarkets, bar mitzvahs, weddings, drive-in theaters. I'd seen it all before I ever walked into a recording studio.
I was one those kids who had books on them. Before weddings, Bar Mitzvahs, funerals and anything else where you're actually meant to not be reading, my family would frisk me and take the book away. If they didn't find it by this point in the procedure, I would be sitting over in that corner completely unnoticed just reading my book.
I was one of those kids who had books on them. Before weddings, Bar Mitzvahs, funerals and anything else where you're actually meant to not be reading, my family would frisk me and take the book away. If they didn't find it by this point in the procedure, I would be sitting over in that corner completely unnoticed just reading my book.
When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.
I had already been a young singer. And once, as a profession, I was a young singer, what you would call a soprano in England, but I was an alto in singing Jewish music in bar mitzvahs and weddings and synagogues throughout New York City because, after Israel, New York is probably the biggest Jewish community in the world.
My microphone skills were developed at a young age watching my dad on the microphone. My dad DJ'ed bar mitzvahs, bat mitzvahs, things of that nature.
I struggled with being a Latino growing up in Los Angeles. I felt very American. I still do. I went to 35 bar mitzvahs before I went to a single quinceanera. I could talk all day about my culture and what it means to me.
I was always dressing up as a kid. I had a dress for all the Los Angeles bar and bat mitzvahs that I was going to when I was 13 which I was crazy for. It was green, dark, shimmery. Very 1980s. It was slightly off-the-shoulder, which I thought was very sophisticated.
I was an emcee for bar mitzvahs from age sixteen to twenty-one.
For about three years I was performing at one bar in East Los Angeles that was like a mean dive bar. You're in there performing for drunks or bikers, not the most flattering people. I think it helped build my confidence, because you have to get their attention, then make them laugh.
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