A Quote by Scott Walker
Certainly political capital-slash-celebrity attention, whatever you want to call it, certainly is part of the reason why I've been reaching out to CEOs. There's a lot of folks who probably would have taken a call from me before but are even more inclined now and are interested in what we're doing because of all the attention.
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A lot of the reason why the debate is acrimonious is because of the 24/7 news cycles, blogs, and people being able to just throw something out there in order to get attention. And I'm not going be out there doing the same thing, trying to trash my successor or call attention to myself. I hope that's a positive contribution to the dialogue.
If you want to get into the creative world, you have to just keep flogging away even when nobody's paying attention. Because then when somebody finally does pay attention, it's certainly a lot more interesting when you have a ton of stuff to show.
Jesus, when he was on Earth, he was out there helping people, right? Why did he perform those miracles? To call attention to his profession. Why do you think I do these incredible feats? To call attention to my profession!
Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.
I'm very concerned with what's going on the news, but I would not call myself a political animal, per se. I pay more attention during election years, or if I see some topic or issue that I care about. But I would never call myself a political animal or political junkie.
When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
It's certainly possible to write fiction that isn't trivial and isn't what people would call political, but it is very hard to figure out how, because our ordinary lives have such a strong tincture now of the whole world.
I'm certainly very influenced by what you would call 'contemporary headline horror,' stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news.
I'm certainly very influenced by what you would call "contemporary headline horror," stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news. And, you know, lastly, probably things that have happened to me in my own life.
I think the aim - and certainly the aim of what I've tried to do since leaving - is not political and certainly not a witch hunt at individuals. It's to try to direct our attention at what I believe is a fundamental fault analysis that we must now examine.
When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn't really part of it.
When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn’t really part of it.
More attention and thought goes into naming a character in 'Call Of Duty' than all the work that can go into certain movies. Blood and sweat and tears go into figuring out the names because they are so important. The call signs say a lot about you. The brotherhood that's evoked by the name is quite profound.
Over the years, there certainly have been plenty of ideas that I've had and given up on, but for this one, the only thing that was standing in its way was me doing it - I just had to write it... And then if it didn't happen, it didn't happen. But I didn't want it to be for lack of effort on my part, so I had hunch that it would be a good story and that we would work well together. And it certainly worked out that way.
I got a call from Shoaib Mansoor, and he asked if I'd be interested in doing the music of 'Bol.' I said, 'Why not?' and suggested we meet. When we did, to my surprise, he offered me the chance to act in the lead role. After reading the script, I was even more interested in doing it.
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