A Quote by Scott Hutchins

Artists are always the Johnny Appleseeds of gentrification. — © Scott Hutchins
Artists are always the Johnny Appleseeds of gentrification.
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
I always liked 'Johnny Blaze,' but we announced it on TV, and it was under copyright by Marvel. Then I had 'Johnny Spade,' and that name sucked, then I had 'Johnny Nitro.' Johnny Nitro was one of my favourite names.
Johnny Nitro was like Johnny Hollywood, Johnny Danger, Johnny Blaze... it's just an obvious stage, Hollywood name. But John Morrison is more like a real person.
Johnny can get down and Johnny can throw up, but Johnny can't read.
I have an autographed photo from Johnny Depp that says, "To Emma, one of the most beautiful people I've ever met. Love, Johnny." At nine you don't know who Johnny Depp is - but at 16 I was like, "Oh my God."
I don't want to demonise 'Johnny.' I was really proud of what he achieved. Especially within stand-up. He was quite a unique voice. I will always possibly be trading off 'Johnny's name, but there's a lot more things that I'm able to do now - the strengths that 'Michael' can bring to it.
The problem isn't that Johnny can't read. The problem isn't even that Johnny can't think. The problem is that Johnny doesn't know what thinking is; he confuses it with feeling.
One of the biggest things going on in London, Amsterdam, San Francisco, and New York right now is gentrification. Every major city is dealing with gentrification, and it's always the sex workers they come for first. Cities feel they have to clean up their image and make themselves more attractive for tourism, more attractive to businesses. The Gezi Park struggle in Turkey a few years ago, for example, was a popular movement defending public space and land. What I found when I was digging into the goings on there was that the park was a place where transgender sex workers felt safe.
My take on gentrification and change is it's usually always a better thing, because when you see all these businesses open and flourishing, that means there are more jobs.
My dad is a big Outlaw country guy - Johnny Cash, Johnny Horton, Waylon, Willie. He loves Elvis and turned me onto Elvis. He was always playing me stuff. He and I would sing and entertain the family. We'd have a little skit on Thanksgiving or whatever.
I still have a crush on Johnny Depp, and I literally only started dating my husband because he looked like Johnny Depp - and he knows that. We've been together for twelve years, and he still looks like Johnny Depp.
Johnny Bench befriended me my first year in the big leagues. He took me under his wing during my first All-Star Game and we've been friends ever since. He's one guy I've tried to emulate and I'll always compare myself to Johnny (Bench).
Now what's important is that they have an attitude. Everybody has a look, but not everybody has cultivated what their stage persona is. And so when you're dealing with actors, it just makes it more difficult, because you have to help them come up with one. You know, Johnny Depp has no Johnny Depp character when he's onstage. You haven't seen An Evening With Johnny Depp at Carnegie Hall.
I pulled the Johnny character from the Jamaican Johnny Too Bad thing.
Johnny Ramone's autobiography is a no holds barred, straight-forward book written in a no-nonsense style that is Johnny personified. His story is written in his own actual words, so the reader gets an insight into what made him the unique, charismatic and exciting individual that he was. It also gives a great view of The Ramones from Johnny's perspective.
I had a speech class in elementary school. And you know how teachers, when a kid is struggling to pronounce a word, used to lead him and say, 'Johnny, sounds like... ? Johnny, sounds like... ?' I said out loud, 'Sounds like Johnny can't read.' Teacher told me to leave the room.
This site uses cookies to ensure you get the best experience. More info...
Got it!