A Quote by Too Short

Jive never saw any value in me as a long-term artist. Even as I was doing it they were like, 'You're not really the kind of artist that we'd spend our money on.' They never saw the value of Too $hort and E-40.
Well, I was doing platinum albums back-to-back with Jive when they were the hottest hip-hop label. There was a time when Jive made a lot more money than Def Jam. They had KRS-One, Too $hort, E-40, Mystikal, UGK and Keith Murray. They had Will Smith when he was still the Fresh Prince.
Art can retain its value and even make you some money. If you have your iPhone on you - and you probably do - look for the artist's signature, and use that to look up the artist and get a sense of the piece's value before you buy it.
I think there should be a reworking of the value structure of art. The value is when the artist makes a first engagement with society. That work has the most value. That is the function of the artist. That result.
Marketing of art is, and to my mind has always been, trendy. Unfortunately, that doesn't mean there is any real long-term value. As an artist I do what I like. As a collector I collect what I like.
I never cared about money because I never needed money, you know what I mean? When I was 12 to 17 I never saw any of the money, so the money never motivated me.
He was an artist when he saw society: it never crossed his mind that society had to be like this; had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles.
I never really looked at Formula One like that was the long-term goal. I obviously dreamed, and my aspirations were to get to Formula One, but I really started thinking about it in Formula 3 at 16, 17 years old, and I saw that it was right in front of me.
I've seen 'Absentia,' which was amazing. I loved 'Absentia.' I loved that for no money, he was able to make a movie about something that you never saw. You never saw the bad guys. That was amazing to me. You never saw what you were supposed to be afraid of; you just knew you were supposed to be afraid of it. It was a phenomenal movie.
You can build a filter app get people really excited, but the way to keep them is to provide long-term value. Long-term value is, in fact, being its own network.
I have to be really honest: People who say they can't escape the paparazzi are full of sh*t. Let me just be the artist to throw everybody under the bus. I don't spend lots of money on houses or lots of cars, but I do spend money on security and they never find me.
As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above", I drew a childish conclusion that my mother was freckled and sickly.
We don't really look at the stock, you know? Because for us, it's about the long term. And so we're very much focused on long-term shareholder value but not the short-term kind of stuff.
To this day, I've never had an assistant. I really insist on doing everything myself because I value the role of the artist's hand so much in the process. But that means I have to learn it personally in order to do it.
Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all.
Nietzsche is absolutely correct, even more correct today than when he wrote it in Thus Spake Zarathustra: I looked all about me for human beings but all I saw were fragments, deformed creatures with too much eye or too much ear. This is what the modern culture of specialized intellect-the kind of one-sidedness that banausic utilitarianism alone can value-works so hard to produce.
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
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