A Quote by CM Punk

A lot of people in the WWE try to paint themselves as outlaws and rebels and I really honestly believe I'm the only one left. I always do what I want and I never get any flack for it. I don't know if it's because they know they're not gonna win, or it's not worth fighting me over. Plus I don't see what the big deal is about me wearing a Cabana shirt. The guy should be working there, first of all, and it's promoting my friend. I don't see what the big deal is.
And I was victim to that very early in my career, where I would go into auditions, and I'd be wearing a big T shirt, a big baggy T shirt and loose jeans. You know, to try and show people that there was more to me than just that.
I have been very lucky because I have had the opportunity to see what it's like to have little or no money and what it's like to have a lot of it. I'm lucky because people make such a big deal of it and, if I didn't experience both, I wouldn't be able to know how important it really is for me. I can't comment on what having a lot of money means to others, but I do know that for me, having a lot more money isn't a lot better than having enough to cover the basics.
Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there.
I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
My stylist told me Chanel wanted to dress me for the 'Stranger Things' premiere. It was such a big deal for me, knowing that Chanel wanted to work with me and that I was gonna go to one of my first big red carpets wearing Chanel. That was such a huge moment for me.
I want people to talk about my comedy, about cancer, about body issues, about scars, because cancer, it's a big deal, but scars are not a big deal. My skin healed. Relax, you know? That's all it is.
I see Igby as my first movie as an adult, and it's a big deal for me because I really, really like the film.
I've got no advice. You guys know where you are and what will work. Just know that there are people all over the place working on this and that there's a great deal of solidarity around the world and we should try to build this big, sprawling movement that looks like the kind of energy system that we want - building lots of solar panels on lots of rooftops that are all interconnected.
I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
It was never a conscious decision - I was introducing myself as Duffy and my friends were calling me Duffy, so I just knocked off the first half of my name. For me it's no big deal, but a lot of people want to unearth why I've called myself this. It's just what I'm known as, you know.
Everyone should have cancer one time - then you'd know that other things aren't important. The guy that gives you the finger at the stoplight don't mean nothing anymore. You come home and something's cold, or you didn't get something in the mail. Big deal. You want to get up every day and see your family and your friends.
These people who are making a big deal out of gay marriage? I don't give a fuck about who wants to get married to anybody else! Why not?! We're making a big deal out of things we shouldn't be making a deal out of. hey go on and on with all this bullshit about "sanctity"—don't give me that sanctity crap! Just give everybody the chance to have the life they want.
I guess I have an aversion to writing about big events and heroic actions. The everyday has always seemed most important to me in writing, probably because I believe people reveal themselves in how they deal with small details.
Boxers risk a lot in the ring. That's one of the things that attracts me to it. You want to see a knockout but I also really don't want to see people get hurt. It's this constant dilemma when I'm watching boxing. The only times I get nervous is watching a really big fight or when my brother is playing. I get to the stage where I'm actually shaking.
I believe that Brexit, whether it's a bad deal or no deal, is a big deal - too big for anyone to ignore - but it's not a done deal.
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