A Quote by Smith Wigglesworth

You must come to see how wonderful you are in God and how helpless you are in yourself. — © Smith Wigglesworth
You must come to see how wonderful you are in God and how helpless you are in yourself.
How poor, how rich, how abject, how august, how complicate, how wonderful is man! Distinguished link in being's endless chain! Midway from nothing to the Deity! Dim miniature of greatness absolute! An heir of glory! A frail child of dust! Helpless immortal! Insect infinite! A worm! A God!
I come from a great family. I've seen family life and I know how wonderful, how nurturing, and how wonderful it can be.
I want people to see that the cosmic perspective is simultaneously honest about the universe we live in and uplifting, when we realize how far we have come and how wonderful is this world of ours.
We've all got a lot of catching up to do. I'm still learning how to act, for god's sake. When I see these old-timers on the Turner Classic Movies, I still get ideas, you know. That's where you really learn acting. If you really see some of these old boys working it and you say to yourself, "My God, if I could really do that that would be wonderful."
It was not until we saw the picture of the earth, from the moon, that we realized how small and how helpless this planet is - something that we must hold in our arms and care for.
Many books that tell you how to achieve come from a privileged position. If you can't see yourself in the advice, how can you use it?
I hope to make people realize how totally helpless animals are, how dependent on us, trusting as a child must that we will be kind and take care of their needs.
He looks trapped, helpless and furious, and that’s a feeling I know too well. Know how much it hurts. Know how it holds you down, how every day there are a thousand little ways to see there is nothing you can do to change who or what you are.
How poor, how rich, how abject, how august, How complicate, how wonderful, is man!... Midway from nothing to the Deity!
Charisma seems to be more about the intoxicating quality that you have on other people, as opposed to presence, which is more about the self in relation to others, and how you feel you represented yourself in a situation, and how you were able to engage. So it's less about how others see you and more about how you see yourself.
If you commit yourself to the art of poetry, you commit yourself to the task of learning how to see, using words as elements of sight and their sounds as prisms. And to see means to see something worth all the agony of learning how to see.
A stranger can see in an instant something in you that you might spend years learning about yourself. How awful we all are when we look at ourselves under a light, finally seeing our reflections. How little we know about ourselves. How much forgiveness it must take to love a person, to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you’ll always be alone.
A lot of my poems are about how ill I am and how I probably won't live beyond next week. I publish a poem and everyone says 'cluck cluck, how wonderful, how brave', but then embarrassingly I'm still here! You see the problem?
I'll teach you how to defend yourself, how to maim a man. We can use Po as a model.' 'Wonderful,' Po said. 'It's quite boring really, the way you beat me to death with your hands and feet, Katsa. It'll be refreshing to have you come at me with a knife.
Let no-one define how you see yourself...save God alone. See yourself through His eyes and His strength, and you'll see who you can be despite being who you are. But see yourself through your own eyes, and you'll be left to question, and to doubt, subject to the whims and wishes of others who will not have your best at heart.
The end of suffering does not justify the suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless.
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