A Quote by Smokey Robinson

I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music. — © Smokey Robinson
I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music.
I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music
Testify' went from a clean Motown song to straight psychedelic. Loud and feedback and people was loving it, because Motown was ending now.
My introduction to Motown was through The Jackson Five and Michael Jackson. Michael's been my greatest creative inspiration, so that's how I really became familiar with Motown as a whole, and as I got older, I learned far more about the other groups.
Motown, Motown, that's my era. Those are my people.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
Everyone you talk to in the world, whether they know it or not, because the catalog is so vast, a lot of times people have favorite songs that are Motown songs that they didn't even know were Motown songs.
One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.
I love Motown, but I've obviously always been more of a Memphis soul fan. If it's Stax or Motown, I go Stax.
The greatest thing that ever happened to me in my life was being allowed to do business in Macau and in China. I love it here. It has been the greatest single event in my commercial career. Period.
I often call Daptone the Motown and Stax of today. But in some ways it's different. At Motown, a lot of the musicians didn't get recognized, music got stolen, and people didn't get paid. Or the label would just throw them a pinch of money for their songs. That is one thing we're not doing. Anything anyone writes here, we get a percentage.
I was really fortunate growing up to have a broad musical education. My parents listened to all kinds of music, rock, soul, Motown, jazz, Frank Sinatra, everything.
Every Motown act dressed classy, and we were clean-cut. Whenever you saw a Motown act, they were polished, and they knew how to treat people.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
My mom taught me every dance move I've ever known to the Motown hits.
There are certain things that we take for granted that simply would not have existed without the great migration. Motown, for example, would not have existed - it simply would not, because Berry Gordy, the founder of it, his parents had migrated from Georgia to Detroit where he founded Motown, and where did he get his talent?
When I was growing up, my dad would always be playing Motown around the house. He loved Stevie Wonder and the Supremes and got me into Dionne Warwick. It was the best music I'd ever heard. It was just that extremely deep, human, thought-out stream of ideas. You can always hear something new when you listen to that music.
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