A Quote by Snoop Dogg
Anytime you're with somebody, you become a reflection of that person. I believe the first five years of our relationship was me grooming her, getting her tough and getting her ready for all of this and how to deal with it. The last was just her being a strong Black woman who has her man's back.
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To win a woman in the first place you must please her, then undress her, and then somehow get her clothes back on her, finally, so that she will let you leave her, you've got to antagonise her.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
Recollect that to a woman who gets her living by her pen, 'time is money,' as it is to an artist. Therefore, encroaching on her time is lessening her income. And yet how often is this done (either heedlessly or selfishly) by persons professing to be her friends, and who are habitually in the practice of interrupting her in her writing hours.
Glen Rice is a wonderful man. He's a wonderful guy, but you want her to be with somebody like [Dennis] Rodman getting up in there. Pushing her guts up into the back of her head
Annabeth came up to me. She was dressed in black camouflage with her Celestial bronze knife strapped to her arm and her laptop bag slung over her shoulder—ready for stabbing or surfing the Internet, whichever came first.
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
To see a young black woman being loved for just who she is - her hair, her skin, her clothes - is powerful.
We have a couple of rules in our relationship. The first rule is that I make her feel like she's getting everything. The second rule is that I actually do let her have her way in everything. And, so far, it's working.
My mum is a fashion inspiration to me. She always goes to great lengths to get ready in the morning, from her hair to her makeup to her nails, and matching her suit with her shoes.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
We think of a feminist as someone a woman becomes in reaction to personal indignities and social injustices. But the truth is, such inequities only awaken her to the feminist she has always fundamentally been - that is, a person who understands that her first responsibility is to her own humanity. That's why, for my money, the first known use of the word 'feminist' is still the best, appearing in an 1895 book review: a woman who 'has in her the capacity of fighting her way back to independence.
The man who passes the sentence should swing the sword. Look her in the eyes before you kill her. See her tears, hear her last words. You owe her that much at least." - Eddard Stark
I was not ready for abstraction. I clung to earth and her dear shapes, her density, her herbage, her juice. I wanted her volume, and I wanted to hear her throb.
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
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