A Quote by Sonny Sandoval
When we first started playing shows, we were all 17. Everybody started somewhere. There were guys throwing shows in condemned houses and backyards just for the love of music and for the love of what bands were standing for.
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Sometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.
I remember in the days when we started, when we first went on the road, we went to Berkeley and played with Exodus. We couldn't believe another band was playing the same kind of music we were playing because there was only a handful of bands that were doing it.
After the first three or four years of me taking rap seriously, it started to look more promising. I started booking shows and more people were playing my music, so I starting believing this could actually work for me.
[Manhattan School Of Music] were kind of just getting the jazz program up and going when I first started there. I was 17 in September of 1984 when I started there.
I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.
Once I started getting mainstream people to my shows, I realized we were taking too many solos, and they were too long. I started gauging when people were going on their iPhones.
I just did 101 shows in 86 different cities in America and Europe and Canada, and I'm not lying or exaggerating when I say, at the vast majority of shows, they loved it. There were encores, there were standing ovations.
With my first high school band ever, we would have these breaks in the song for idiotic solos, solos that were un-tasteful and would be shredding, but I needed to put them in there, and I realize now it's because we were playing shows with a whole bunch of bands that were all male.
And this is how it started. Just with coffee and the exchange of their long stories. Love can be incremental. Predicaments, too. Coffee can start a life just as it can start a day. This was the meeting of two people who were destined to love from before they were born, from before they made choices that would complicate their lives. This love just rolled toward my mother as though she were standing at the bottom of a steep hill. Mother had no hand in this, only heart.
Me and my friends in high school were the only girls who went to hardcore shows. It was three of us, and the rest of the audience was male. We didn't really think about it. We weren't thinking we were alienated or whatever, but eventually, as there started to be violence in the scene we were in during high school, we started to be turned off by the violence.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time; it started right there
Very early on, when I started doing these plays and live shows, I would travel from city to city, and there were a million shows out there... so I wanted to step out among it, and I started putting my name above the title.
I think when we were making the first album, we were like 16, 17 years old, and I think just years and years of recording and playing shows - I know me, personally, I kind of figured out my style more and vocally learned a better way to sing in the studio.
I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
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