A Quote by Stana Katic
I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.
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Somehow we allow, if a character goes to the dark side, if we're hooked into that character - I'm obsessed with Peaky Blinders. Those characters are awful, and yet you root for them. You love them! Same with Breaking Bad. That's not as easy in a feature.
I'm obsessed with 'Peaky Blinders.' Those characters are awful, and yet you root for them. You love them! Same with 'Breaking Bad.'
I think Netflix is incredible! I travel a lot, so it keeps me company sometimes. I like 'Peaky Blinders.' I'm a big fan of Cillian Murphy, and he is quite the actor. I watch documentaries, mainly, but I've really gotten into watching scary movies. 'It Follows' is wicked.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.
You have to imbue the characters with their own sort of feeling of justification and morality. Everyone has that, whether we see them as evil or not. So I try to bring the characters to life by making them likable or lovable, in the sense that they can be, at least to themselves.
It is difficult to portray grey characters because there is a very thin line between being nasty and slightly negative.
What's most important is to create an atmosphere that's real, providing characters the audience can root for. Once they become emotionally attached, that's the secret in building a show. The audience can see themselves in these characters, and they respond to the stories.
In the States a lot of Hispanic and black audiences are gravitating towards 'Peaky Blinders.' A mate of went into a bar in Santa Monica and sent me a photo of four blokes dressed as Peakies - they meet every week for a 'Peaky Blinders' evening.
You have the most amazing Irish actors. Cillian on 'Peaky Blinders.' And the most amazing actress.
We're always projecting our moral categories on things. I think that's inevitable. But capitalism places no particular value on morality. Morality in the market is enforced by contract and regulation and law, because morality is understood to be in conflict with the motive force of greed and accumulation.
What, by a word lacking even in grammar, is called amorality, is a thing that does not exist. If you are unwilling to submit to any norm, you have, nolens volens , to submit to the norm of denying all morality, and this is not amoral, but immoral. It is a negative morality which preserves the empty form of the other.
The only morality I'm interested in is the morality between your ears, between each player's ears, because that's the interesting thing to me.
I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.
Christian morality (so called) has all the characters of a reaction.... In its horror of sensuality, it made an idol of asceticism, which has been gradually compromised away into one of legality. It holds out the hope of heaven and the threat of hell, as the appointed and appropriate motives to a virtuous life - in this falling far below the best of the ancients, and doing what lies in it to give to human morality an essentially selfish character.... It is essentially a doctrine of passive obedience; it inculcates submission to all authorities found established.
Our basic problem today is that we have two religions in conflict, humanism and Christianity, each with its own morality and the laws of that morality.
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