A Quote by Stella McCartney
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
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Even though it was the 70s, we found old stocks of clothes that had never been worn from the 50s and took them apart. I started to teach myself how to make clothes from that kind of formula.
From when I can remember, I wanted to be an actress. I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes, as they had a lot of glitter in them.
The Sixties was all about style and a certain look. But what was interesting about 1963 was that it was pre-Beatles, so the clothes of that time, especially the suits, were very different from the clothes post-Beatlemania.
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
It's hard to think of them polite flows when Stephano Polato suits are your night clothes, and Jordan sweat suits are your flight clothes, and you still make it even when they say your flight closed.
They couldn't have a little kid occupying an important spot on the front row, so I sat in the back where all the models changed clothes. I remember vividly the rustling and the rush of the fabrics of the clothes and the swoosh of textures and color as they went by. I was in the back, but I had a front-row seat, in my opinion.
British people still wear clothes. By clothes I mean actual clothes: jackets and shirts and ties and suits. The spirit of Beau Brummell is still visible. English men make an effort. We’ve lost that in the US. Everyone is more concerned with being comfortable.
We are working women. Also, we have the problem of children, of men, to take care of our houses, so many things. I try to explain that in my clothes. They are clothes for everyday life. That is the real life of woman.
I love vintage clothes. I have a real passion which probably comes from the days of my mum who had this great dress up box that she put all her clothes from the 60s and 70s in - platform shoes and jumpsuits and boots.
I enjoy clothes. My mother tells me how, even as a kid, I used to choose my own clothes. I have a feel for it, and I do the costume coordination for my photo shoots as well. Many a time, even my characters wear the clothes I choose.
Through designing clothes, I try to bring solutions to people, and I'm interested in the everyday relationship we have to clothes.
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
My mama couldn't give me what I wanted. I had all right clothes, but the people I was with had better clothes. I felt that I had to have better clothes.
Yeah I did put my clothes on, but my clothes took off... Could it be my clothes are putting me on??
Sometimes when you see clothes online you don't quite believe those clothes: you think they've been airbrushed. On 'This Morning,' it's a really good opportunity to see how clothes work in real life.
I always have a lot of vents and slits in the clothes I design, even inside the pockets so that I can slip my hands inside my clothes and touch my skin. I want to be able to feel my body naked inside my clothes.
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