A Quote by Stellan Skarsgard

My life reads more like Proust than a tabloid. — © Stellan Skarsgard
My life reads more like Proust than a tabloid.
A businessman who reads Business Week is lost to fame. One who reads Proust is marked for greatness.
One measures oncoming old age by its deepening of Proust, and its deepening by Proust. How to read a novel? Lovingly, if it shows itself capable of accomodating one's love; and jealously, because it can become the image of one's limitations in time and space, and yet can give the Proustian blessing of more life.
One must, I think, be struck more and more the longer one lives, to find how much in our present society a man's life of each day depends for its solidity and value upon whether he reads during that day, and far more still on what he reads during it.
Trying to overcome addiction is one of the hardest things for a person to do. And the fact that I had to do it under the scrutiny of tabloid press at first made it seem even more difficult. But in fact, it oddly ended up being a plus. Because of the tabloid stuff, it wasn't like I could walk into a bar and order a drink.
To me the tabloid sensibility, in the best sense of the word, and I think people as like tabloids have receded as a kind of force in media people have started to associate the word "tabloid" with like National Enquirer and stuff like that.
What can i tell you about the choices we make? Fate reads like the polar opposite of decision, and so much of life reads like fate.
The dominant question for us with regard to literature has become, 'What does this have to do with me, with life as I know it?' That's the question answered by all these books about how Proust was actually a neuroscientist or how Proust can teach you emotional intelligence.
To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.
You know, the more grown-up you are, the more you like Proust.
Joseph [Millar] is much more disciplined than I am. He's up every morning meditating, then he writes, and he reads throughout the day. He probably reads ten books to my two and writes twice as much as I do.
I love Marcel Proust, but I leave him to his nostalgia. I don't approach art the way most people do. I don't get into Proust by imagining that I am Charlus or whoever. It's the same thing in painting - I try to look at it objectively. There's no pathos in that. It's like Bach's "Goldberg Variations." They have to be approached with a scalpel.
I think if you had to choose between running a tabloid and being president of the United States, of course you'd run the tabloid, especially in New York.
Social media give me the privilege of learning about more people than I could meet in my whole life. Taken together, the Internet reads like the grandest character-driven novel humanity has ever known. Not much plot, though.
I've read a lot more than most of the people that I know, except for one of my really close friends reads way more than I do.
In the U.K., journalists are a little bit more ruthless than in Denmark. I have a feeling the tabloid press in the U.K. is pretty harsh.
Nothing would have shocked Proust more than to hear that his work was perceived as difficult or inaccessibly rarefied.
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