A Quote by Rod Serling
I miss the comraderie of live television - the fact that you were on the set, you worked closely with the director and the cast, that I miss. But, no, I'm happy, I'm happy doing film.
Related Quotes
About 10 percent of the time, I miss 3 to 5 percent of the game. I look back, and I'm happy that I played. I'm not wistful. You miss big games. I miss the locker room camaraderie. Sometimes I miss the lifestyle.
I'm going to miss Blockbuster. I'm gonna miss being CEO and all that stuff. We had an atmosphere where everybody was happy. When people make money, they're happy.
You know, more than anything I miss the happy faces on a film set.
Miss Celia stares down into the pot like she's looking for her future. "Are you happy, Minny?" "Why you ask me funny questions like that?" "But are you?" "Course I's happy. You happy too. Big house, big yard, husband looking after you." I frown at Miss Celia and I make sure she can see it. Because ain't that white people for you, wondering if they are happy ENOUGH.
I mean, I've - these other films were flukes. I don't know what I'm doing. I should just quit. What would I miss? I'd miss my house and I'd miss going to work. But I think the thing that I realized I would miss most is probably similar to everybody, which is your friends.
I'm tired of being thought of as Miss Goody Two-Shoes... the girl next door, Miss Happy-Go-Lucky.
Lord, what if I miss You? What if I miss You? What if I miss You? Oh, I'm so scared! God, what if I miss You? He answered simply, "Joyce, don't worry; if you miss Me, I will find you.
I'm one of those pathetic actors who will say yes to every play reading just because I do miss the stage so much. What I really miss about the theater is that in the end, it's yours to give. In television and film, it's yours to do and someone else's to take and someone else's to give. As much as I love television - the biggest luxury of all is to know that you have a job to go to - I do miss that connection and having that power over my own performance on stage.
I think of Milan every day, really. I was really happy at Milanello. I love the team, the staff, everybody who works there. I love the fans. I miss Milan badly, I miss Italy. I don't miss a single [Milan] game, and I don't understand those that say that Calcio is in difficulty. It's so competitive and complete.
As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that there was a certain kind of energy that exists when people can live for nothing.
I'm the color me happy girl, Miss live and let live. And when they're out for blood, I always give.
Putting is so difficult, so universally vexing, that the best the pros can do is tell us how to miss. 'Miss it on the pro side,' they say, meaning miss it above the hole. I can't even do that consistently. I miss it on the pro side. I miss it on the amateur side. I miss it on both sides of the clown's mouth.
I don't miss working on camera as much as theatre. But I do love film and television because it's so immediate; you walk on to a set and the tables are dusty, and everything's as it should be.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
We had a great producing staff and great filmmakers, but for me, my mission , as a producer, was to make sure that the creators were happy with the film Death Note and that their voices were heard. I felt, if the creators were proud and happy with the film, then in turn, the fans would be proud and happy with the film because the creators know the fan base, inside and out.
I miss the hot spots. I miss the hospital calls. I miss the nursing homes. I miss the really intimate human contact with other people, which I did nothing to earn.
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