A Quote by Rod Serling

Whenever you write, whatever you write, never make the mistake of assuming the audience is any less intelligent than you are. — © Rod Serling
Whenever you write, whatever you write, never make the mistake of assuming the audience is any less intelligent than you are.
Gotta keep it peace like a buddhist Nobody gonna Wesley snipe me It's less than likely, Move back, Let I breathe Jedi knight, The more space I get the better I write, (Oh) Never I write, but, if, ever I write, I need the space to say whatever I like.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
I don't write with any audience in mind. I just write. I take a chance on the audience. That's what I did originally, and I think it's worked--in the sense that I find there is an audience.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.
I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.
Make no mistake, those who write long books have nothing to say. Of course those who write short books have even less to say.
If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less.
Whenever I write, I write what I find to be the way people are. I never use any symbolism at all, but if you write as true to life as you possibly can, people will see symbolism. They'll all see different symbolism, but they're apt to because you can see it in life.
I think any film that asks its audience a degree of tolerance and acceptance of those less fortunate than themselves isn't a bad thing from whatever culture you're in or from whatever part of any political spectrum.
Whenever I write something, I always want to make sure that what I write is defensible.
Take out another notebook, pick up another pen, and just write, just write, just write. In the middle of the world, make one positive step. In the center of chaos, make one definitive act. Just write. Say yes, stay alive, be awake. Just write. Just write. Just write.
I am fully intelligent only when I write. I have a certain amount of small-change intelligence, which I carry round with me as, at any rate in a town, one has to carry small money, for the needs of the day, the non-writing day. But it seems to me I seldom purely think ... if I thought more I might write less.
I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.
I would never write about someone that forced me to write at a lower register than what I can write.
I don't really write for an album. I just write songs whenever I feel like it, whenever they come to me. It's all a complete accident.
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