A Quote by Stephane Hessel
If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action.'
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You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
There's something about seeing someone who has actually no real supernatural powers and only being able to throw things with precision that kind of makes people be like, 'Oh, I can see that. I can put that person in real life, and I can see it play out as a human being.'
People say to me, ‘How do I know if a word is real?’ You know, anybody who’s read a children’s book knows that love makes things real. If you love a word, use it. That makes it real.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
I was shocked to find out that 1 in 4 women are affected by domestic violence at some point in their lifetime. So many women never tell anyone that they are being abused by their partner. I have joined the 'Real Man' Women's Aid campaign to show that real men don't abuse women and that a real man will always stand up against domestic violence.
It's funny, when things go on the internet now and people say 'that's not real,' well, that's what painting's always done - it's taken things from the world and said, Look how much more real this is now.
Once I started to get some of the things I'd always craved, I still found myself incredibly unhappy. It was never enough. A lot of that stems from being real, real insecure, wanting more and hoping that will fix the insecurity.
People always ask me how I start a collection, and I tell them that I just look around. What am I tired of? What am I in the mood for? Real fashion change comes from real changes in real life. Everything else is just decoration.
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.
The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.
Instead of it being the mark of a real man that you can shoot somebody at 50 feet and kill them with a gun, the mark of a real man is that you would never do anything like that. . . . The gun is a great equalizer because it makes wimps as dangerous as people who really have skill and bravery and so I'd like to have this notion that anyone using a gun is a wuss. They aren't anybody to be looked up to. They're somebody to look down at because they couldn't defend themselves or couldn't protect others without using a gun.
People anyway didn't take me seriously because of the way I look. And for some reason, there's this Indian perception that sportspersons should look wanting, they should look like they've put up a real struggle.
One day I found out that personal history was no longer necessary for me and, like drinking, I dropped it... Little by little you must create a fog around yourself; you must erase everything around you until nothing can be taken for granted, until nothing is any longer for sure, or real. Your problem now is that you're too real. Your endeavors are too real, your moods are too real. Don't take things so for granted. You must begin to erase yourself.
I look at people in certain circumstances, and I fall into caretaker mode real quick, real easy. I like to shoulder people up and carry them along, and then I end up creating some kind of dependency. I enable. It's really, really hard for me.
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