A Quote by Stefan Zweig

Of course, in the reality of history, the Machiavellian view which glorifies the principle of violence has been able to dominate.Not the compromising conciliatory politics of humaneness, not the Erasmian, but rather the politics of vested power which firmly exploits every opportunity, politics in the sense of the "Principe," has determined the development of European history ever since.
C. S. Lewis observed that almost all crimes of Christian history have come about when religion is confused with politics. Politics, which always runs by the rules of ungrace, allures us to trade away grace for power, a temptation the church has often been unable to resist.
Or they'll talk about fear, which we used to call politics- job politics, social politics, government politics.
The politics of personal destruction, the politics of division, the politics of fear, it's all there. It helps you to define the politics of moderation - the politics of democratic respect, the politics of hope - more clearly.
Yet in a society of conflicting interests the only democratic way in which matters can be improved is through politics, and politics means the compromising of extremes in order to achieve that notorious half loaf which the passionate and the outraged never find sufficient.
Politics are vulgar when they are not liberalised by history, and history fades into mere literature when it loses sight of its relation to practical politics.
The entertainment industry has three kinds of politics - sexual politics, money politics and power politics. A desperate actor can become victim of any of these political games.
I've often said that all poetry is political. This is because real poems deal with a human response to reality and politics is part of reality, history in the making. Even if a poet writes about sitting in a glass house drinking tea, it reflects politics.
We need a new kind of politics. Not the politics of governance, but the politics of resistance. The politics of opposition. The politics of joining hands across the world and preventing certain destruction.
Politics is concerned with herds rather than with individuals, and the passions which are important in politics are, therefore, those in which the various members of a given herd can feel alike.
Politics is not predictions and politics is not observations. Politics is what we do. Politics is what we do, politics is what we create, by what we work for, by what we hope for and what we dare to imagine.
I am a secularist in the Gandhian sense of the word, not the Nehruvian one. Nehru thought religion was an antique superstition which stood in the way of rational modern politics. I side with Gandhi, who wanted religious figures out of politics but also was suspicious of purely rational politics.
The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.
When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
It is the future, of course, which politicians grapple with, and that is why politics is so disorderly. Only history clears away some of the debris.
We think of politics in terms of power and who has the power. Politics is the end to which that power is put.
What initially attracted me to The Seventh Seal was that it had values and characteristics which I was familiar with in other art forms, most notably, the European novel and certain forms on English drama, and indeed, in relation to my rather academic interest in history -- not "history" in the normal sense, but history as a form of entertainment . It might be a very unfashionable view but I believe that history is an amazing bank or reserve area of plots, characterisations, extraordinary events, etc.
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