A Quote by Stephanie Zacharek
There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.
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I believe that the Kane/Undertaker story, if you look at epic storytelling like Greek mythology, that is what it is. It is the best piece of epic storytelling that the WWE has ever done.
Most of my life, I read what is said on IMDB. The fans on the Raw is War board make the most sense of any Internet fan, apart from the one or two that create second accounts to bash me. Keep the board alive-uh. Paul Levesque
I think a lot of drama, nowadays, is character-based and development-based, but 'True Blood' is very plot-oriented.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
Character grows in the soil of experience with the fertilization of example, the moisture of ambition, and the sunshine of satisfaction. Character cannot be purchased, bargained for, inherited, rented or imported from afar. It must be home-grown. Purely intellectual development without commensurate internal character development makes as much sense as putting a high-powered sports car in the hands of a teenager who is high on drugs. Yet all too often in the academic world, that's exactly what we do by not focusing on the character development of young people.
Look at the opening sequence of 'The Blues Brothers,' which starts at the prison. The way it was filmed, it does not look like a comedy. I thought that was great.
While most game developers are focused entirely on what they're shipping in a year or two, a technology developer like Epic has to look much further out and plan many years ahead.
To be intuitive, we must cultivate our sense of humor and look for reasons to laugh everywhere. We become so self-absorbed and serious when it comes to our problems and melodramas that we disconnect from our deeper sense of who we are as beautiful souls-we withdraw from life instead of enjoying it. Laughter brings us back to ourselves and back to life.
There is a part of me that likes things that are epic, that's why I think a lot of my songs go to these soundscapes that are cinematic, because I really like the epic storytelling.
Storytelling is the oldest form of entertainment there is. From campfires and pictograms - the Lascaux cave paintings may be as much as twenty thousand years old - to tribal songs and epic ballads passed down from generation to generation, it is one of the most fundamental ways humans have of making sense of the world.
The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.
Hey, this is terrific!" he said. "Someone down there is trying to kill us!" "Terrific," said Arthur. "But don't you see what this means?" "Yes. We are going to die." "Yes, but apart from that." "Apart from that?!" "It means we must be on to something!" "How soon can we get off it?
The most important thing for me in an action sequence is, you understand the characters' intention and the challenges the characters are going to have to face: what the character story is within the action sequence.
Imagine a pantomime directed by Quentin Tarantino, where villains are booed, heroes are blood-stained, the body-count is high, the entertainment pulsating, the language filthy and the audience screamed behind you'' as tackles hurtled in like boulders crashing down a mountain-side. Such was the epic drama that gripped the Emirates yesterday. A derby crammed with sound, fury and significance ended with everyone grasping for breath, with Arsenal regaining the high ground of the Premier League... This was the Premier League at its raw, mistake-filled, mesmerising best. Utterly compelling.
I like storytelling, and for storytelling you need a drama. And for there to be drama, you need twists, and by twists I mean the ability to constantly change the
trajectory of the story.
It's easy for us to feel separate from other people and from other forms of life, especially if we don't have a reliable connection to our own inner world. Without insight into our internal cycles of pleasure and pain, desires and fears, there is a strong sense of being removed, apart or disconnected. When we do have an understanding of our inner lives, it provides an intuitive opening, even without words, to the ties that exist between ourselves and others.
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