A Quote by Stephanie Crayencour
Out of the debris of a statue thoroughly shattered a new art work is born: a naked foot unforgettably resting on a stone; a candid hand; a bent knee which contains all the speed of the foot race; a torso which has no face to prevent us from loving it.
Related Quotes
Life is a hard fight, a struggle, a wrestling with the principle of evil, hand to hand, foot to foot. Every inch of the way is disputed. The night is given us to take breath, to pray, to drink deep at the fountain of power. The day, to use the strength which has been given us, to go forth to work with it till the evening.
for man, woman, and child the tender, irregular, sensitive, living foot, which does not even stand with all its little surface on the ground, and which makes no base to satisfy an architectural eye, is, as it were, the unexpected thing. ... nothing makes a more helpless and unsymmetrical sign than does a naked foot.
I feel like I have one foot in New York, one foot in London and one foot in India. But it's important to me to invest time with family.
The church isn't simply a collection of isolated individuals ... we need to learn again the lesson that a hand is no less a hand for being part of a larger whole, an entire body. The foot is not diminished in its freedom to be a foot by being part of a body which also contains eyes and ears. In fact, hands and feet are most free to be themselves when they coordinate properly with eyes, ears, and everything else. Cutting them off in an effort to make them truly free, truly themselves, would be truly disastrous.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003
The world takes us to a silver screen on which flickering images of passion and romance play, and as we watch, the world says, “This is love.” God takes us to the foot of a tree on which a naked and bloodied man hangs and says, “This is love.
We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
Plant thy foot firmly in the prints which His foot has made before thee.
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
And one fine day the goddess of the wind kisses the foot of man, that mistreated, scorned foot, and from that kiss the soccer idol is born. He is born in a straw crib in a tin-roofed shack and he enters the world clinging to a ball.
As one of my teachers, Buckminster Fuller, says, we were given a right foot and a left foot, not a right foot and a wrong foot. The point is that, there's always two points of view out there, and we need to increase our ability to allow another point of view. Then we have a better chance for peace.
Leave not a foot of verse, a foot of stone, A Page, a Grave, that they can call their own; But spread, my sons, your glory thin or thick, On passive paper, or on solid brick.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
I did the long jump and hurt my foot. It was a stress fracture in the left foot, which even now, 12 years on, is the bane of my life.
What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes.
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