A Quote by Stefflon Don
When Kehlani brought me out onstage, I really enjoyed that. I was just appreciative for her to think of me and bring me out woman to woman, introducing me to a whole new audience to me. It was just showing that I was appreciated for what I'm doing, that some people mess with me, and I'm all over the place.
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No, no, no. This ain’t right. I finally find a woman who’ll actually let me into her place and you bring her home for you? Oh, please tell me you brought her home for you and not for me. You didn’t pimp me out again, Wulf, did you? I swear I’ll stake you in your sleep if you did. (Chris)
I think the people here in New York appreciated what I brought to the table, and they showed it when I retired by the way they came out and supported me, and it meant a lot to me. It made me feel like I am a part of this city, and I will remain a part of this city.
For me specifically, I think college benefited me. Just getting me out of doing, getting me out of what I was doing before. I was just doing the same thing, you know, every day, same schedule, just practicing, training, things like that.
I remember at The Quilted Giraffe, when I was when working there to try out for the sous-chef position. I really wanted it, and the woman working the line next to me kept messing up and making me look bad. The last day of my kitchen trail, I just said to her very quietly, 'Do me a favor and get out of my way, because I want this job.'
I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work.
I enjoy just showing people other sides of me, especially everyone always sees me in my helmet and ski suit. It's nice to just show everyone me, just me in my everyday clothes or just me in high heels or just me not in my ski gear, basically.
I feel really blessed to work in a place that values me for what I bring as a journalist and as a professional storyteller and navigator of the news. But I also know that they appreciate about me, my perspective as a woman, as a black woman.
You make me tremendously happy to hold me undivided - to let me be the artist, as it were, and yet not forgo the man, the animal, the hungry, insatiable lover. No woman has ever granted me all the privileges I need - and you, why you sing out so blithely, so boldly, with a laugh even - yes, you invite me to go ahead, be myself, benture anything. I adore you for that. That is where you are truly regal, a woman extraordinary. What a woman you are! I laugh to myself now when I think of you. I have no fear of your femaleness.
We're blessed to be at a level in my career where I can afford to take out a bus of my own and bring my whole family with me, so that's great, too. The boys are out with us all the time, and it's just great to be able to turn around onstage and see my wife back there behind me.
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures me in her body and gave birth to me out of her desire but washed her hands of me after giving birth to me as a poet.
I will never forget Oprah's [Winfrey] major contribution to my success by having me perform on her show (March '91) and introducing me as, "the voice that brought her out of the shower!"
I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.
The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
I met a new girl at a barbecue, very pretty, a blond I think. I don't know, her hair was on fire, and all she talked about was herself. You know these kind of girls: 'I'm hot. I'm on fire. Me, me, me.' You know. 'Help me, put me out.' Come on, could we talk about me just a little bit?
If a woman is into me, it usually takes me awhile to figure that out. She has to hit me over the head with it.
Every time I went out, someone had to look at me or talk to me, and I just got sick of it. Now I have a very anonymous life, which I really love, and then I come to New York, and people bug out of me.
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